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Legacies of the Comfort Women of World War II
The stories of the former comfort women have galvanized both Asian and non-Asian intellectuals working in a variety of fields. Scholars of Asian history and politics, feminists, human rights activists, documentary filmmakers, visual artists, and novelists have begun to address the subject of the comfort system; to take up the cause of the surviving comfort women's sturggles; to call attention to sexual violence against women, especially during wartime; to consider the links among militarism, racism, imperialism, and sexism; and to include this history into 20th-century political history. This volume contains a cross-section of responses to the issues raised by the former comfort women and their new visibility on the international stage. Its focus is on how theorists, historians, researchers, activists, and artists have been preserving, interpreting, and disseminating the legacies of the comfort women and also drawing lessons from these. The essays consider the impact and influence of the comfort women's stories on a wide variety of fields and describe how those stories are now being heard or read and used in Asian and in the West.
The New Woman
By comparing fictional representations with "real" New Women in late-Victorian Britain, Sally Ledger makes a major contribution to an understanding of the "Woman Question" at the end of the century. Chapters on imperialism, socialism, sexual decadence, and metropolitan life situate the "revolting daughters" of the Victorian age in a broader cultural context than previous studies.
Down Among the Women
DIVWith her eye for the unending power plays between the genders, Fay Weldon chronicles two decades in the lives of three generations of women—and has a devilish good time doing it /divDIV “Down among the women. What a place to be!”/divDIV /divDIVSo begins Fay Weldon’s novel, opening onto 1950s London, where Wanda, a former radical who has left her husband, has raised her daughter Scarlet to be as tough and independent as she is. But twenty-year-old Scarlet has already had one abortion, and is about to become a single mother to the child she’ll call Byzantia. The novel also follows the lives of Scarlet’s friends: Sylvia, a born victim; respectable Jocelyn, hopelessly trapped in her dull, bourgeois existence; Audrey, who finally breaks out of her conventional life; and Helen, beautiful, vibrant, and doomed. Over the course of twenty years, they will discover it’s never too late to become the women they are meant to be./div
Michael Field and Their World
Writing as Michael Field, Katharine Bradley (1846-1914) and Edith Cooper (1862-1913), the British aunt and niece lesbian couple, produced an enormous and distinguished body of plays and poetry. Long neglected, they now appear frequently in anthologies of Victorian literature, queer literature, and literature by women. This is the first collection of essays to be devoted to their lives, works, relations with contemporaries, and influential legacies, as well as to the critical and theoretical questions raised by their collaboration. With its wide coverage of topics that include feminism, classicism, philosophy, sexuality, theatre, religion, art history, and Victorian print culture, this volume will prove valuable to many different audiences.
Palgrave Advances in Oscar Wilde Studies
Palgrave Advances in Oscar Wilde Studies is a comprehensive guide to recent critical approaches. Topics covered include Gay Studies, Feminist Criticism, Material Culture, Religion, Philosophy, Performance Studies, Aestheticism, Biography, Textual Studies and Postcolonial Theory. The book is designed to acquaint readers of all levels with the history of scholarship in a range of fields and suggest ways that Wilde's work offer new areas for research. The collection also provides a Chronology and detailed bibliography.
Feminist Theory Reader
Feminist Theory Reader is an anthology of classic and contemporary works of feminist theory, organized around the goal of providing both local and global perspectives.
Representations of China in British Children's Fiction, 1851-1911
In her extensively researched exploration of China in British children’s literature, Shih-Wen Chen provides a sustained critique of the reductive dichotomies that have limited insight into the cultural and educative role these fictions played in disseminating ideas and knowledge about China. Chen considers a range of different genres and types of publication-travelogue storybooks, historical novels, adventure stories, and periodicals-to demonstrate the diversity of images of China in the Victorian and Edwardian imagination. Turning a critical eye on popular and prolific writers such as Anne Bowman, William Dalton, Edwin Harcourt Burrage, Bessie Marchant, G.A. Henty, and Charles Gilson, Che...
Writing the Woman Artist
"I mean, what is a woman? I assure you, I do not know. I do not believe that you know. I do not believe that anybody can know until she has expressed herself in all the arts and professions open to human skill."—Virginia Woolf, Professions for Women Writing The Woman Artist is a collection of essays that explores the ways in which women writers portray women painters, sculptors, writers, and performers. Surveying the works of a variety of women writers—from the nineteenth and twentieth centuries, from different ethnic, national , racial, and economic backgrounds—this book treats their revisions of the Künstlerroman and their perceptions of the relationships between muse, artist, and a...
Come Buy, Come Buy
From the 1860s through the early twentieth century, Great Britain saw the rise of the department store and the institutionalization of a gendered sphere of consumption. Come Buy, Come Buy considers representations of the female shopper in British women’s writing and demonstrates how women’s shopping practices are materialized as forms of narrative, poetic, and cultural inscription, showing how women writers emphasize consumerism as productive of pleasure rather than the condition of seduction or loss. Krista Lysack examines works by Christina Rossetti, Mary Elizabeth Braddon, George Eliot, and Michael Field, as well as the suffragette newspaper Votes for Women, in order to challenge the ...
Rebecca West's Subversive Use of Hybrid Genres
Bringing new insights from genre theory to bear on the work of the journalist and novelist Rebecca West, this study explores how West's use of and combinations of multiple genres (often in single works) was informed and furthered by her subversive feminist goals. Rebecca West's Subversive Use of Hybrid Genres analyzes West's sense of genres as dynamic and strategic processes with transgressive political ends rather than as fixed and reified taxonomies, a radical new approach at the time that is now mirrored in much contemporary theory. Surveying her oeuvre from this point of view, the book goes on to examine systematically West's writing from 1911-1941, including her early journalism and criticism, such novels as The Return of the Soldier and her controversial multi-genre epic Black Lamb and Grey Falcon.
