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A ideia que dá organicidade ao livro é pensar e registrar os processos das experimentações metodológicas, movimentos com as quais vamos criando e exercitando as próprias pesquisas e nas pesquisas que temos orientado. O que estamos deslocando, insubordinando, insurgindo quando nos dispomos a romper modos instituídos de pesquisar, escrever, criar com a diferença [?].
Jean-Jacques Rousseau and Max Weber, central thinkers to the discussion of political legitimacy, represent two very different stages and forms of social theory: early modern political philosophy and classical sociology. In these studies, Dr Merquior describes and assesses their individual contributions to the understanding of the concept of political legitimacy. Dr Merquior compares Rousseau and Weber to a handful of other major theorists and highlights the contemporary prospects of the alternatives between democratic participation and bureaucratizm. This book was first published in 1980.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.