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The 6th Global Conference: Making Sense of Dying and Death held in Salzburg, Austria in October and November, 2008 is a component of the Inter-Disciplinary.Net's Probing the Boundaries project. The project's purpose is to create working 'encounter' groups between people of differing perspectives, disciplines, professions, vocations and contexts.A
There is perhaps no subject that lends itself to interdisciplinarity better than corporeal finitude, and it is a recognition of this fact that, from 12 to 15 July 2006, a group of international scholars, policy-makers, and practitioners were brought together for the 5th annual conference Making Sense of: Health Illness, and Disease.
This volume calls for a Narratology of Diversity by investigating narratives of non-normative bodies and minds. It explores mental health representations in literature, including neurodiversity, the body-mind nexus, and embodied non-normativities, therein emphasizing the importance of understanding diverse psychological conditions as represented in narratives. The contributions include perspectives from a wide variety of scholars of European, North American, and comparative literature and culture. While post-classical narratology has evolved through phases of diversification and consolidation, this volume represents innovation in understanding narrative development to embrace new areas of social awareness, including gendered narratologies (specifically feminist and queer narratologies) and post-colonial criticism, paving the way for a more inclusive narratology.
Illness narratives have become a cultural phenomenon in the Western world. In what ways can they be seen to have aesthetic, ethical and political value? What do they reveal about experiences of illness, the relationship between the body and identity and the role of the arts in bearing witness to illness for people who are ill and those connected to them? How can they influence medicine, the arts and shape public understandings of health and illness? These questions and more are explored in Illness as Many Narratives, which contains readings of a rich array of representations of illness from the 1980s to the present. A wide range of arts and media are considered such as life writing, photography, performance, film, theatre, artists' books and animation. The individual chapters deploy multidisciplinary critical frameworks and discuss physical and mental illness. Through reading this book you will gain an understanding of the complex contribution illness narratives make to contemporary culture and the emergent field of Critical Medical Humanities.
There is widespread rhetorical agreement that the fashion industry must get itself onto a more sustainable footing. What does this mean in practice, and how can sustainability be achieved in different regions around the world? This book brings together expert scholars and reflective practitioners via a network of dialogue and exchange to help drive forward a sustainable future for the fashion industry. With a focus on technological innovation, the contributions to this book provide a range of case studies from design thinking, through digital clothing and inclusive fashion. This book will be of interest to researchers and scholars in the fields of circular business and the fashion industry, and provides a unique resource for readers seeking to understand more about the need for responsible fashion and how technology might be able to help.
The experiences of health and illness, death and dying, the normal and the pathological have always been an integral part of literary texts. This volume considers how the two dynamic fields of medicine and literature have crossed over, and how they have developed alongside one another. It asks how medicine, as both science and practice, shapes the representation of illness and transforms literary form. It considers how literary texts across genres and languages of disease have put forward specific conceptions of medicine and impacted its practice. Taking into account the global, multilingual and multicultural contexts, this volume systematically outlines and addresses this double-sidedness of the literature-medicine connection. Literature and Medicine covers a broad spectrum of conceptual, thematic, theoretical, and methodological approaches that provide a solid foundation for understanding a vibrant interdisciplinary field.
Resentment has a history. Paintings such as Géricault’s Le Radeau de La Méduse, nineteenth-century women’s manifestos and WWI war photographs provide but a few examples to retrace the changing physiognomy of this emotion from the second half of the eighteenth century up to our contemporary society. The essays in this collection attempt to shed light on the historical evolution of this affective experience adopting the French Revolution as a “gravitational force”, namely as a moment in which the desire to be other was politically legitimised by means of the ideal of a meritocratic society. From Adam Smith’s definition as social passion linked with justice, to Nietzsche’s interpretation of resentment as a pathological symptom, this emotion has also shaped a plethora of social movements forging their identity out of hatred mixed with fear and indignation. This volume seeks to provide new insights into the history of emotions by showing how resentment is a cultural experience that contributes to a better understanding of the differences between the past and the present world.
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This book examines all aspects of narrative medicine and its value in ensuring that, in an age of evidence-based medicine defined by clinical trials, numbers, and probabilities, clinical science is firmly embedded in the medical humanities in order to foster the understanding of clinical cases and the delivery of excellent patient care. The medical humanities address what happens to us when we are affected by a disease and narrative medicine is an interdisciplinary approach that emphasizes the importance of patient narratives in bridging various divides, including those between health care professionals and patients. The book covers the genesis of the medical humanities and of narrative medi...