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We Can Take It!
`We Can Take It!' shows that the British remember the war in a peculiar way, thanks to a mix of particular images and evidence. Our memory has been shaped by material which is completely removed from historical reality. These images (including complete inventions) have combined to make a new history. The vision is mostly cosy and suits the way in which the Britons conceive of themselves: dogged, good humoured, occasionally bumbling, unified and enjoying diversity. In fact Britons load their memory towards the early part of the war (Dunkirk, Blitz, Battle of Britain) rather than when we were successful in the air or against Italy and Germany with invasions. This suits our love of being the underdog, fighting against the odds, and being in a crisis. Conversely, the periods of the war during which Britain was in the ascendant are, perversely, far more hazy in the public memory.
Ypres
The story of Ypres, the series of devastating battles at the heart of Britain and her Empire's experience of the First World War: how they were fought, how they have been remembered, and what they mean for us today.
Histories of the Aftermath
In 1945, Europeans confronted a legacy of mass destruction and death: millions of families had lost their homes and livelihoods; millions of men had lost their lives; and millions more had been displaced by the war's destruction. This volume explores how Europeans came to terms with these multiple pasts.
The 39 Steps
The British Film Guides are a fresh departure for the Cinema and Society series, each telling the story of an important British film, presented and priced for a readership spanning scholars, students and general film enthusiasts. These compact guides, based on new and original research, present each film's historical and cinematic context within its decade, genre and director's body of work; details of its production history; a full analysis of the film itself; and a survey of critical response to the film up to the present. Combining humour and thrills in equal measure, The 39 Steps (1935) is one of Alfred Hitchcock's masterpieces. The film established Hitchcock's reputation internationally as 'the master of suspense'. It also inspired two remakes, in 1959 and again in 1978. Mark Glancy's fresh reassessment of the film examines the work of screenwriter Charles Bennett and precedents set in Hitchcock's earlier films. It follows the intriguing circumstances of its production and presents an original and close analysis of the film itself. It also explores the film's critical and cinematic legacies. This is a revealing and highly readable new account of a landmark British film.
Past and Present
This ground-breaking book takes as its focal point director Ken Loach's view that 'The only reason to make films that are a reflection on history is to talk about the present.' In the first book to take on this major genre in all its complexity, James Chapman argues that historical films say as much about the times in which they are made as about the past they purport to portray. Through in-depth case studies of fourteen key films spanning the 1930s up to the turn of the twenty first century, from The Private Life of Henry VIII and Zulu to Chariots of Fire and Elizabeth, Chapman examines the place of historical films in British cinema history and film culture. Looking closely at the issues t...
The Red Shoes
In this first comprehensive book on the film, directed by Powell and Pressburger, Mark Connelly explores the creative genius behind the individual elements of its production. Offering new insights into the characters at the heart of the story, the author illuminates a film which has beguiled filmmakers and audiences alike.
Conquer We Must
A major new account of Britain's military strategy between 1914-1945, including the two world wars and everything between The First and Second World Wars were separated by a mere two decades, making the period 1914-1945 an unprecedentedly intense and violent era of history. But how did Britain develop its complex military strategy during these wars, and how were decisions made by those at the top? Robin Prior examines the influence politicians had on military operations, in the first history to assess both world wars together. Drawing uniquely on both military and political archives and previously unexamined sources Prior explores the fraught relationships between civilian and military leaders: from Lloyd George's remarkably interventionist stance on military tactics during the First World War to Churchill's near-constant arguments with American leaders during the Second. Conquer We Must tells the complex story of this military decision-making, revealing how politicians attempted to control strategy--but had little influence on how the army, navy, and air force actually fought.
Multilingual Environments in the Great War
This book explores the differing ways in which language has been used to try to make sense of the First World War. Offering further developments in an innovative approach to the study of the conflict, it develops a transnational viewpoint of the experience of war to reveal less expected areas of language use during the conflict. Taking the study of the First World War far beyond the Western Front, chapters examine experiences in many regions, including Africa, Armenia, post-war Australia, Russia and Estonia, and a variety of contexts, from prisoner-of-war and internment camps, to food queues and post-war barracks. Drawing upon a wide variety of languages, such as Esperanto, Flemish, Italian, Kiswahili, Portuguese, Romanian and Turkish, Multilingual Environments in the Great War brings together language experiences of conflict from both combatants and the home front, connecting language and literature with linguistic analysis of the immediacy of communication.
The Great War in American and British Cinema, 1918–1938
This book recounts the reception of selected films about the Great War released between 1918 and 1938 in the USA and Great Britain. It discusses the role that popular cinema played in forming and reflecting public opinion about the War and its political and cultural aftermath in both countries. Although the centenary has produced a wide number of studies on the memorialisation of the Great War in Britain and to a lesser degree the USA, none of them focused on audience reception in relation to the Anglo-American ‘circulatory system’ of Trans-Atlantic culture.
Media and Society into the 21st Century
Media and Society into the 21st Century captures the breathtaking revolutionary sweep of mass media from the late 19th century to the present day. Updated and expanded new edition including coverage of recent media developments and the continued impact of technological change Newly reworked chapters on media, war, international relations, and new media A new "Web 2.0" section explores the role of blogging, social networking, user-generated content, and search media in media landscape
