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Decolonising the Camera
  • Language: en
  • Pages: 267

Decolonising the Camera

Decolonising the Camera trains Mark Sealy's sharp critical eye on the racial politics at work within photography, in the context of heated discussions around race and representation, the legacies of colonialism, and the importance of decolonising the university. Sealy analyses a series of images within and against the violent political reality of Western imperialism, and aims to extract new meanings and develop new ways of seeing that bring the Other into focus. The book demonstrates that if we do not recognise the historical and political conjunctures of racial politics at work within photography, and their effects on those that have been culturally erased, made invisible or less than human...

African Cosmologies
  • Language: en
  • Pages: 436

African Cosmologies

  • Type: Book
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  • Published: 2020
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  • Publisher: Unknown

Produced in conjunction with the FotoFest Biennial 2020 exhibition, the African Cosmologies book will feature essays by leading scholars in the fields of contemporary art, photography, and cultural studies. Images of installations, photography, film, and video works by artists will highlight the range of interdisciplinary approaches that are represented in the Biennial exhibition. African Cosmologies: Photography, Time, and the Other is co-edited by Autograph ABP Director, Mark Sealy MBE, and FotoFest Executive Director, Steven Evans.--Fotofest International

Photography
  • Language: en
  • Pages: 240

Photography

  • Type: Book
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  • Published: 2022-01-25
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  • Publisher: Unknown

description not available right now.

Different
  • Language: en
  • Pages: 214

Different

  • Type: Book
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  • Published: 2001-10-22
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  • Publisher: Phaidon

The story of contemporary Black and Asian photography told in words and images.

Rock Against Racism
  • Language: en
  • Pages: 308

Rock Against Racism

  • Type: Book
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  • Published: 2022-09-29
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  • Publisher: Unknown

An outstanding photography book documenting a movement that rocked the world. Syd Shelton: Rock Against Racism is a body of photographs that Syd Shelton produced for and about the British Rock Against Racism movement (RAR) of 1976-1981. For Shelton, this work was a socialist act, what he calls a "graphic argument," on behalf of marginalized lives. His practice of photographic activism began in 1973 when he was driven to document the socio cultural and political dynamics expressed on the streets of Sydney by urban Australian Aboriginal communities, the working class, and the architectural landscapes of these groups. Shelton's first solo show in 1975, "Working Class Heroes" at the Sydney Film-...

Vanley Burke
  • Language: en
  • Pages: 100

Vanley Burke

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

Vanley Burke's photographs represent a sensitive portrayal of black people in the Midlands. From the inception of early black political pressure groups, to direct state confrontation, Vanley Burke has made a photographic record of his community's history.

Creative Camera
  • Language: en
  • Pages: 326

Creative Camera

Founded in 1968, Creative Camera has been a forum for influencing the shape and direction of modern photography.

Sunil Gupta
  • Language: en
  • Pages: 200

Sunil Gupta

Mark Sealy

Decisions of the Commissioner of Patents and of the United States Courts in Patent and Trade-mark and Copyright Cases
  • Language: en
  • Pages: 526

Decisions of the Commissioner of Patents and of the United States Courts in Patent and Trade-mark and Copyright Cases

  • Type: Book
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  • Published: 1960
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  • Publisher: Unknown

"Compiled from Official gazette. Beginning with 1876, the volumes have included also decisions of United States courts, decisions of Secretary of Interior, opinions of Attorney-General, and important decisions of state courts in relation to patents, trade-marks, etc. 1869-94, not in Congressional set." Checklist of U. S. public documents, 1789-1909, p. 530.

Stuart Hall's Voice
  • Language: en
  • Pages: 174

Stuart Hall's Voice

Stuart Hall’s Voice explores the ethos of style that characterized Stuart Hall’s intellectual vocation. David Scott frames the book—which he wrote as a series of letters to Hall in the wake of his death—as an evocation of friendship understood as the moral and intellectual medium in which his dialogical hermeneutic relationship with Hall’s work unfolded. In this respect, the book asks: what do we owe intellectually to the work of those whom we know well, admire, and honor? Reflecting one of the lessons of Hall’s style, the book responds: what we owe should be conceived less in terms of criticism than in terms of listening. Hall’s intellectual life was animated by voice in liter...