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In Search of the Culprit
Despite various poststructuralist rejections of the idea of a singular author-genius, the question of a textual archetype that can be assigned to a named author is still a common scholarly phantasm. The Romantic idea that an author created a text or even a work autonomously is transferred even to pre-modern literature today. This ignores the fact that the transmission of medieval and early modern literature creates variances that could not be justified by means of singular authorships. The present volume offers new theoretical approaches from English, German, and Scandinavian studies to provide a historically more adequate approach to the question of authorship in premodern literary cultures. Authorship is no longer equated with an extra-textual entity, but is instead considered a narratological, inner- and intertextual function that can be recognized in the retrospectively established beginnings of literature as well as in the medial transformation of texts during the early days of printing. The volume is aimed at interested scholars of all philologies, especially those dealing with the Middle Ages or Early Modern Period.
Qur’an Commentary and the Biblical Turn
The Qur’an and the Bible have been called "intertwined scriptures" due to the Qur’an’s frequent invocation of biblical narratives and figures. But what is the history of Muslims’ exegetical engagement with the biblical text? Through a comprehensive survey of more than 170 Qur’an commentaries, Samuel Ross traces the longitudinal history of the Bible in tafsῑr. Offering detailed case studies and rich in historical context, Ross’s narrative culminates in the remarkable late-nineteenth and early-twentieth-century biblical turn. Global in scope, this development has not only generated new Muslim views of the Bible but even new interpretations of the Qur’an itself. This monograph has been awarded the annual BRAIS – De Gruyter Prize in the Study of Islam and the Muslim World.
Persian Cultures of Power and the Entanglement of the AfroEurasian World
A cutting-edge analysis of 2,500 years of Persian visual, architectural, and material cultures of power and their role in connecting the world. With the rise of the Achaemenid Empire (550–330 BCE), Persian institutions of kingship became the model for legitimacy, authority, and prestige across three continents. Despite enormous upheavals, Iranian visual and political cultures connected an ever-wider swath of Afro-Eurasia over the next two millennia, exerting influence at key historical junctures. This book provides the first critical exploration of the role Persian cultures played in articulating the myriad ways power was expressed across Afro-Eurasia between the sixth century BCE and the ...
Mudejarismo and Moorish Revival in Europe
Mudejarismo and Moorish Revival in Europe examines key aspects related to the reception of Ibero-Islamic architecture in medieval Iberia and 19th-century Europe. It challenges prevalent readings of architecture and interiors whose creation was the result of cultural encounters. As Mudéjar and neo-Moorish architecture are closely connected to the Islamic world, concepts of identity, nationalism, religious and ethnic belonging, as well as Orientalism and Islamoscepticism significantly shaped the way in which they have been perceived over time. This volume offers art historical and socio-cultural analysis of selected case studies from Spain to Russia and opens the door to a better understanding of interconnected cultural and artistic phenomena. Contributors are (in order of appearance) Francine Giese, Ariane Varela Braga, Michael A. Conrad, Katrin Kaufmann, Sarah Keller, Elena Paulino Montero, Luis Araus Ballesteros, Ekaterina Savinova, Christian Schweizer, Alejandro Jiménez Hernández and Laura Álvarez Acosta.
Turkish History and Culture in India
This interdisciplinary volume addresses the history, literature and material culture of peoples of Turkish origins in India over the eleventh to eighteenth centuries. Although many ruling dynasties and members of the elite in this period claimed Turkish descent, this aspect of their identity has seldom received much scholarly attention. The discussion is enriched by a focus on connections and comparisons with other parts of the broader Turko-Persian world, especially Anatolia. Although discussions of Turkish-Muslim rulers in India take account of their Central Asian origins and connections, links with Anatolia, stretching back to the medieval period, were also important in the formation of Turkish society and culture in India, and have been much less explored in the literature. The volume contains contributions by some of the leading scholars in the field.
Constructing and Contesting Holy Places in Medieval Islam and Beyond
This volume brings together thirteen case studies devoted to the establishment, growth, and demise of holy places in Muslim societies, thereby providing a global look on Muslim engagement with the emplacement of the holy. Combining research by historians, art historians, archaeologists, and historians of religion, the volume bridges different approaches to the study of the concept of “holiness” in Muslim societies. It addresses a wide range of geographical regions, from Indonesia and India to Morocco and Senegal, highlighting the strategies implemented in the making and unmaking of holy places in Muslim lands. Contributors: David N. Edwards, Claus-Peter Haase, Beatrice Hendrich, Sara Kuehn, Zacharie Mochtari de Pierrepont, Sara Mondini, Harry Munt, Luca Patrizi, George Quinn, Eric Ross, Ruggero Vimercati Sanseverino, Ethel Sara Wolper.
Tomb – Memory – Space
From an intercultural perspective, this book focuses on aesthetic strategies and forms of representation in premodern Christian and Islamic sepulchral art. Seeing the tomb as an interface for eschatological, political, and artistic debate, the contributions analyze the diversity of memorial space configurations. The subjects range from the complex interaction between architecture and tomb topography through to questions relating to the funereal expression of power and identity, and to practices of ritual realization in the context of individual and collective memory.
Spätmittelalter und Renaissance
Eine Gesamtdarstellung der vielfältigen Beziehungen zwischen Kunst und Religion vom Spätmittelalter bis ins 18. Jahrhundert fehlt bisher. Das vorliegende Werk geht diesen Beziehungen in den Bereichen der bildenden Kunst, der Literatur und der Musik nach. Die Kunst dieses Zeitraums ist weitgehend religiös, genauer gesagt: christlich geprägt. Das gilt nicht nur für das Mittelalter, dessen scholastische Theologie ihren dichterischen Niederschlag in Dantes „Göttlicher Komödie" findet, sondern auch für die Renaissance. Die christliche Prägung betrifft Werke der bildenden Kunst, aber auch musikalische Kompositionen wie Messen, die entweder kirchliche Auftraggeber haben oder für Kirchen...
Die Musealisierung der Nation
Erstmals werden Konzeption und Gründung der deutschen National-, Zentral-, und Landesmuseen im deutschsprachigen Kulturraum des „langen“ 19. Jahrhunderts vergleichend in den Blick genommen. Sie sind gekennzeichnet von nach- und wetteifernden Akteuren, die monarchisch (Bayerisches Nationalmuseum), literarisch (Schillermuseum) oder auch überstaatlich (Germanisches Nationalmuseum) motiviert sein konnten.
Grundlagen
Stiftungen sind ein universales Phänomen entwickelter Gesellschaften von Babylon und Ägypten bis zur Gegenwart. Obwohl die Verwandtschaft der Zeugnisse und Belege über mehrere Jahrtausende längst erkannt ist, gibt es bisher keinen systematischen Vergleich für einen begrenzten Zeitraum, aber in globaler Weite, und deshalb auch keine sicheren Erkenntnisse über interkulturelle Wechselbeziehungen, Neuerfindungen und besonderen Ausprägungen. In dieser Enzyklopädie wird für das Jahrtausend von ca. 500-1500 zum ersten Mal der Versuch zu einer parallelen Erschließung des Stiftungswesens in fünf religiös geprägten Kulturen gemacht. Alle Themen werden von je einem Experten für das latein...
