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Dynamic artistry celebrating the diverse lives and labors of hardscrabble Southerners In Working South, renowned watercolorist Mary Whyte captures in exquisite detail the essence of vanishing blue-collar professions from across ten states in the American South with sensitivity and reverence for her subjects. From the textile mill worker and tobacco farmer to the sponge diver and elevator operator, Whyte has sought out some of the last remnants of rural and industrial workforces declining or altogether lost through changes in our economy, environment, technology, and fashion. She shows us a shoeshine man, a hat maker, an oysterman, a shrimper, a ferryman, a funeral band, and others to documen...
Over 50 famous watercolors are superbly reproduced in color. The text explores Smith's prominent role in Charleston and its history.
Charleston, South Carolina, today enjoys a reputation as a destination city for cultural and heritage tourism. In A Golden Haze of Memory, Stephanie E. Yuhl looks back to the crucial period between 1920 and 1940, when local leaders developed Charleston's trademark image as "America's Most Historic City." Eager to assert the national value of their regional cultural traditions and to situate Charleston as a bulwark against the chaos of modern America, these descendants of old-line families downplayed Confederate associations and emphasized the city's colonial and early national prominence. They created a vibrant network of individual artists, literary figures, and organizations--such as the a...
Reynolda: Her Muses, Her Stories is your invitation to explore Reynolda House Museum of American Art, North Carolina's nationally acclaimed art museum showcasing paintings, sculpture, and decorative arts in the restored 1917 home of tobacco magnate R. J. Reynolds and his wife, Katharine. Their sixty-four-room bungalow sits at the center of an estate that beckons thousands of visitors each year to its formal gardens, meadows, woodlands, shops, and restaurants. In this volume, David Park Curry has captured the essence of Reynolda House Museum of American Art through a lavishly illustrated essay that blends Reynolda's fifty years as a beloved family home with her second life as a museum of Amer...
"Through the oils of [West Fraser's] mature style ... he has achieved a level of spontaneity in the plein air tradition that captures the essence of the lowcountry." So concludes the essay by Angela D. Mack that leads everyone from connoisseurs to those who simply enjoy the artistic images of the South Carolina lowcountry into a visual feast to stir the senses. The first book of its kind dedicated to the work of this plein air impressionist, Charleston in My Time: The Paintings of West Fraser celebrates the passion and independence West Fraser exhibits in his work, his amazing eye for natural light and landscapes, and his love of Charleston and the lowcountry.
Diminutive marvels of artistry and fine craftsmanship, portrait miniatures reveal a wealth of information within their small frames. They can tell tales of cultural history and biography, of people and their passions, of evolving tastes in jewelry, fashion, hairstyles, and the decorative arts. Unlike many other genres, miniatures have a tradition in which amateurs and professionals have operated in parallel and women artists have flourished as professionals. This richly illustrated book presents approximately 180 portrait miniatures selected from the holdings of the Cincinnati Art Museum, the largest and most diverse collection of its kind in North America. The book stresses the continuity of stylistic tradition across Europe and America as well as the vitality of the portrait miniature format through more than four centuries. A detailed catalogue entry, as well as a concise artist biography, appears for each object. Essays examine various aspects of miniature painting, of the depiction of costume in miniatures, and of the allied art of hair work.
From the Potomac to the Gulf, artists were creating in the South even before it was recognized as a region. The South has contributed to America's cultural heritage with works as diverse as Benjamin Henry Latrobe's architectural plans for the nation's Capitol, the wares of the Newcomb Pottery, and Richard Clague's tonalist Louisiana bayou scenes. This comprehensive volume shows how, through the decades and centuries, the art of the South expanded from mimetic portraiture to sophisticated responses to national and international movements. The essays treat historic and current trends in the visual arts and architecture, major collections and institutions, and biographies of artists themselves. As leading experts on the region's artists and their work, editors Judith H. Bonner and Estill Curtis Pennington frame the volume's contributions with insightful overview essays on the visual arts and architecture in the American South.
Volume Eight of The Collected Works of Ken Wilber includes: • In The Marriage of Sense and Soul: Integrating Science and Religion (1998), Wilber takes on the centuries-old problem of the relationship between science and religion. After surveying the world's great wisdom traditions and extracting features they all share, he offers compelling arguments that not only are these compatible with scientific truth, they also share a similar scientific method. • One Taste: The Journals of Ken Wilber (1999) is a lively and entertaining glimpse into a year in the life of Ken Wilber—as well as a thought-provoking series of short essays on current trends in spirituality and psychology, daily reflections, meditation experiences, and advice to spiritual seekers.