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Move over, movies: the freshest storytelling today is on television, where the multi-episodic format is used for rich character development and innovative story arcs. Directors Tell the Story offers rare insight and advice straight from two A-list television directors whose credits include Monk, Grey's Anatomy, Desperate Housewives, Weeds, and more. They direct dramas and comedies using the same process that Steven Spielberg (or any other movie director uses)-just with less money and time. Learn what it takes to become a director: master the technical aspects, appreciate aesthetic qualities, and practice leadership, all while exuding that "X factor that distinguishes the excellent director f...
Acting for the Screen is a collection of essays written by and interviews with working actors, producers, directors, casting directors, and acting professors, exploring the business side of screen acting. In this book, over thirty show business professionals dispel myths about the industry and provide practical advice on topics such as how to break into the field, how to develop, nurture, and navigate business relationships, and how to do creative work under pressure. Readers will also learn about the entrepreneurial expectations in relation to the internet and social media, strategies for contending with the emotional highs and lows of acting, and money management while pursuing acting as a profession. Written for undergraduates and graduates studying Acting for Screen, aspiring professional actors, and working actors looking to reinvent themselves, Acting for the Screen provides readers with a wealth of first-hand information that will help them create their own opportunities and pursue a career in show business.
Do you know a teen that's been bitten by the acting bug? Aimed at teens and tweens, this book lets kids hone their skills and develop their craft. It begins with the five W's: WHO am I? WHAT do I want? WHY do I want it? WHERE am I? WHEN does this event take place? Sounds basic--but many young child actors are told simply to "get up there and act." This book explores each of these questions, using helpful exercises to allow young actors to work through problems of character identity and motivation. With comprehensive chapters on auditioning, rehearsal, and improvisation, plus a primer on how young actors can break into film, theater, and television.--From publisher description.
Here is a comprehensive career handbook to the television sitcom. Revealed are the rules, the language, and the traditions of this popular art form and how the pacing, jokes and dialogue in a sitcom differ from those in film and theatre. Get insider information on how to launch a career in this exciting industry.
The way some introductory acting books are written, it seems that a literal leg break is your best option. In The Young Actor's Handbook, Jeremy Kruse, an actor, writer, producer, and director who teaches method acting, acting for camera, improvisation, and sketch comedy at The Lee Strasberg Theatre and Film Institute in New York, mends this mangled genre, distilling invaluable lessons and years of experience down to a lean, mean, intuitive hundred page primer. Rather than bludgeoning the uninitiated with dense paragraphs, vague concepts, and opaque examples, The Young Actor's Handbook ignites the beginning actor's creative soul with inspirational acting exercises, acting theory, writing exe...
Whether it's a crew of two hundred shooting a cast of thousands on horseback, or a crew of twelve filming one person in a room, each and every successful movie production requires a strong First Assistant Director (AD) at its helm. In this new and updated edition, veteran First AD Liz Gill walks you through the entire filmmaking process through the perspective of the First AD, from pre-production, shoot, wrap, and everything in between. This book provides invaluable insight into working as a First Assistant Director, featuring tricks-of-the-trade for breaking down a script, creating a schedule and organizing test shoots, alongside how to use turnaround time, weather cover, split days, overti...
Who's funny? -- Sitcom history -- Half hour technique: rhythm, words, punctuation, timing, and pace, the turnaround, triplets -- Acting technique -- The four C's of comedy -- The characters: the logical smart one, the lovable loser, the neurotic, the dumb one, the bitch/bastard, the womanizer/manizer, the materialistic one, in their own universe -- Finding your comedic note -- Appendix 1: Ten rules of comedy -- Appendix 2: Who said that? -- Appendix 3: Glossary (finding the funny).
The Science and Art of Acting for the Camera provides a precise yet practical approach to help unlock the mysteries of acting for film and television. Written by veteran actor, producer, and director John Howard Swain, the book offers a clear-cut, no-nonsense technique that equips aspiring or working actors with the necessary skills to succeed on camera. The technique teaches you how to build multi-dimensional characters; construct truthful and exciting relationships; ignite stimulating emotions; craft a series of discoveries guaranteed to energize your work; and much, much more. The book also provides instruction for actors working in commercials—from slating, to the dreaded "tell us about yourself" interview, to nailing "the tag" and embracing the cliché—and supplies sample commercial copy for students to practice.
Offering a systematic approach for aspiring and working screenwriters, "My Story Can Beat Up Your Story" helps writers create professional, sellable stories that work for every genre. The book features examples from more than 70 movies.
“In the beginning we were happy. And we were always excessive. So in the beginning we were happy to excess.” With these opening lines Sean Wilsey takes us on an exhilarating tour of life in the strangest, wealthiest, and most grandiose of families. Sean's mother is a 1980s society-page staple, regularly entertaining Black Panthers and movie stars in her marble and glass penthouse. His enigmatic father uses a jet helicopter to drop Sean off at the video arcade and lectures his son on proper hygiene in public restrooms. When Sean, "the kind of child who sings songs to sick flowers," turns nine years old, his father divorces his mother and marries her best friend. Sean's life blows apart. His mother has a "vision" of salvation that requires packing her Louis Vuitton luggage and traveling the globe, a retinue of multiracial children in tow. Follow Sean as he candidly recounts his life growing up in a wealthy family all while discovering who he is amongst San Francisco's social elite.