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Big-Time Shakespeare
Bristol debates Shakespeare's cultural success and widespread notoriety, his achievement of contemporary celebrity and argues that Shakespeare's plays represent the pathos of our civilization with extraordinary force and clarity.
Carnival and Theater (Routledge Revivals)
In this title, first published in 1985, Michael Bristol draws on several theoretical and critical traditions to study the nature and purpose of theatre as a social institution: on Marxism, and its revisions in the work of Mikhail Bakhtin; on the theories of Emile Durkheim and their adaptations in the work of Victor Turner; and on the history of social life and material culture as practiced by the Annales school. This valuable work is an important contribution to literary criticism, theatre studies and social history and has particular importance for scholars interested in the dramatic literature of Elizabethan England.
Shakespeare's America, America's Shakespeare (Routledge Revivals)
First published in 1990, this title explores the nature of the interaction between Shakespeare and American culture. Shakespeare stands at the center of an elaborate institutional reality, closely tied to both cultural and ideological production. His plays, Michael Bristol asserts, help to constitute a primary affirmative theme of much American culture criticism, specifically the celebration of individuality and the values of expressive autonomy. This reissue will be of particular value to Literature students and researchers with an interest in Shakespeare, as well as those interested in American cultural history more generally.
Shakespeare and Moral Agency
Shakespeare and Moral Agency presents a collection of new essays by literary scholars and philosophers considering character and action in Shakespeare's plays as heuristic models for the exploration of some salient problems in the field of moral inquiry. Together they offer a unified presentation of an emerging orientation in Shakespeare studies, drawing on recent work in ethics, philosophy of mind, and analytic aesthetics to construct a powerful framework for the critical analysis of Shakespeare's works. Contributors suggest new possibilities for the interpretation of Shakespearean drama by engaging with the rich body of contemporary work in the field of moral philosophy, offering significant insights for literary criticism, for pedagogy, and also for theatrical performance.
Bristol Cars Model by Model
The Bristol badge has sat proudly on a succession of fast, reliable and expensive 6-, 8- and 10- cylinder cars since 1946. Though it was initially revered by the motoring press, an air of mystery descended over the marque throughout the 1980s and 1990s. Now under new ownership, Bristol is to be reborn with new state-of-the-art models proposed which aim to capture the excellence and exclusivity of the early models. As a compliment to the revival, this book celebrates the rich diversity of each model from Bristol Cars' production catalogue. Bristol Cars Model by Model provides a history of the development and production of each of the cars, including coachbuilt and racing models, with full specifications. It is richly illustrated with over 400 photographs.
Shakespeare Studies
Shakespeare Studies is an annual peer-reviewed volume featuring the work of performance scholars, literary critics and cultural historians. The journal focuses primarily on Shakespeare and his contemporaries, but embraces theoretical and historical studies of socio-political, intellectual and artistic contexts that extend well beyond the early modern English theatrical milieu. In addition to articles, Shakespeare Studies offers opportunities for extended intellectual exchange through its thematically-focused forums, and includes substantial reviews. An international Editorial Board maintains the quality of each volume so that Shakespeare Studies may serve as a reliable resource for all stude...
Print, Manuscript & Performance
The eleven essays in this volume explore the complex interactions in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript. Scholars who work on manuscript culture, the history of printing, cultural history, historical bibliography, and the institutions of early modern drama and theater have been brought together to address such topics as the social character of texts, historical changes in notions of literary authority and intellectual property, the mutual influence and tensions between the different forms of "publication," and the epistemological and social implications of v...
Bristol Merlin: Revealing Secrets Medi
Seven manuscript fragments of the Old French Suite Vulgate du Merlin discovered in a set of early-printed books in the Bristol Central Library hit global headlines in 2019: this is a comprehensive study with accompanying transliteration of these fascinating Arthurian fragments.
Materialist Shakespeare
Receptive to influences of such diverse theorists as Derrida, Jameson, Foucault, Irigaray, Kristeva, Lacan and Althusser, materialist Shakespeare criticism has long since left behind the days of 'vulgar' Marxism and has emerged as a rich interpretive practice. The essays chosen for this book cover all of Shakespeare's dramatic genres and include works on King Lear, Othello, As You Like It, Measure for Measure, The Tempest, The Merchant of Venice, Henry V, Macbeth, The Taming of the Shrew and Julius Caesar. Contributors: Paul Delany; Louis Adrian Montrose; Walter Cohen; Alan Sinfield; Stephen Greenblatt; Michael D. Bristol; Katherine Eismann Maus; James R. Andreas; Robert Weimann; Graham Holderness; Lynda E. Boose; John Drakakis; Claire McEacherm; Frederic Jameson; and Ivo Kamps.
Comparative and International Research in Education
This book is designed as a text on how to go about setting up and effectively running international research projects.
