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This volume celebrates a fascinating variety of nonfiction known as life writing. This genre resonates quintessentially with the core of the humanities in its profoundly individual ways of fusing narrators with their narrative subjects. The book brings together scholars from around the world to explore the personal mapping of such narrators in the context of their cultural legacies. The hybrid fusions themselves form several subgenres that complement each other as they affirm human dignity and values and our need for human connection, felt at all times, but especially during times of globally met threats. The ever-expanding forms of hybridography here—along with testimonies, diaries, lette...
Science Fiction and Anticipation: Utopias, Dystopias and Time Travel presents ten chapters discussing themes related to time travel, utopias, and dystopias in science fiction novels published in America and Europe between the 18th and 20th century. These themes include social progress, freedom and human rights, technological advances, and the issues of ethics, racism, sexism, censorship, and slavery. The contributors analyze novels such as The Year 2440 published in 1771, Paris in the Twentieth Century written by Jules Verne, Blake; or, The Huts of America by Martin Robinson Delany, The Amphibian Man by Alexander Belyaev, Heart of a Dog by Mikhail Bulgakov, Ashes, Ashes by René Barjavel, The Machine Stops by E. M. Forster, Morel’s Invention by Adolfo Bioy Casares, and writers of Spanish, Argentinian, English, and French fictions such as George Orwell, Eduardo Ladislao Holmberg and Leopoldo Antonio Lugones Argüello. This book notably presents their sources and influence, the accuracy of their predictions, and their relevance in our very unstable world.
This collection of essays discusses genre fiction and film within the discursive framework of the environmental humanities and analyses the convergent themes of spatiality, climate change, and related anxieties concerning the future of human affairs, as crucial for any understanding of current forms of “weird” and “fantastic” literature and culture. Given their focus on the culturally marginal, unknown, and “other,” these genres figure as diagnostic modes of storytelling, outlining the latent anxieties and social dynamics that define a culture’s “structure of feeling” at a given historical moment. The contributions in this volume map the long and continuous tradition of weird and fantastic fiction as a seismograph for eco-geographical turmoil from the nineteenth to the twenty-first century, offering innovative and insightful ecocritical readings of H. P. Lovecraft, Harriet Prescott Spofford, China Miéville, N. K. Jemisin, Thomas Ligotti, and Jeff VanderMeer, among others.
In an age where science and technology hold sway and the humanities face a crisis, this book explores the evolving role of literature. It delves into how American self-help culture shapes contemporary ideals of success, mindfulness, and happiness, with a particular focus on its influence in science communication, notably in TED talks. Moreover, it underscores the enduring relevance of literature in the digital era by analyzing speculative novels that challenge established norms, including those propagated by TED. These novels include Richard Powers' Generosity: An Enhancement, Margaret Atwood's MaddAddam trilogy and Gary Shteyngart's Super Sad True Love Story. They question the Western prefe...
Life narratives and fiction that represent experiences of hermaphroditism and intersex are at the core of Michaela Koch's study. The analyzed texts from the 19th to the early 21st century are embedded within and contrasted with contemporary debates in medicine, psychology, or activism to reveal the processes of negotiation about the meaning of hermaphroditism and intersex. This cultural studies-informed work challenges both strictly essentialist and constructivist notions. It argues for a differentiated perspective on intersex and hermaphrodite experiences as historically contingent, fully embodied, and nevertheless discursive subject positions.
»Camp Comforts« investigates the wide-ranging impact of camp on AIDS literature and places this impact within two different traditions of camp analysis: a politically subversive one that aims at social change and an aesthetically uplifting one that aims at personal healing. Christian Lassen argues that camp may in fact serve both ends, social change and personal healing, and goes on to explore reparative reading practices in order to rehabilitate alleviation and relief as vital objectives in literary representations of gay grief. In this way, »Camp Comforts« reveals the workings that make camp so crucial a strategy for survival in times of AIDS.
Ever since Odysseus heard tales of his own exploits being retold among strangers, audiences and readers have been alive to the complications and questions arising from the translation of myth. How are myths taken and carried over into new languages, new civilizations, or new media? An international group of scholars is gathered in this volume to present diverse but connected case studies which address the artistic and political implications of the changing condition of myth – this most primal and malleable of forms. ‘Translation’ is treated broadly to encompass not only literary translation, but also the transfer of myth across cultures and epochs. In an age when the spiritual world is in crisis, Translating Myth constitutes a timely exploration of myth’s endurance, and represents a consolidation of the status of myth studies as a discipline in its own right.
W.G. Sebald (1944-2001) is the most prominent and perhaps the most enigmatic German-language writer of recent decades. His books have had a more profound impact outside the German-speaking world than those of any other. His innovative approach to writing brings to the fore concerns that are central to contemporary culture: the relationship between memory, history, and trauma; the experience of exile and our relation to place; and the role of literature (and photography) in the remembrance of the past. This collection of essays places travel at the center of Sebald's poetics and shows how his appropriation of travel in its myriad historical and cultural forms -- tourism, the pilgrimage, the w...