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A Mieke Bal Reader
This reader brings together a representative collection of Mieke Bal's work that distills her broad interests and areas of expertise. It is organised into four parts, reflecting the fields that Bal has most profoundly influenced: literary study, interdisciplinary methodology, visual analysis, and postmodern theology.
Quoting Caravaggio
A rigorous, rewarding work, "Quoting Caravaggio" is at once a meditation on history as a creative, nonlinear process; a study of the work of Caravaggio and the Baroque; and a brilliant critical exposition of contemporary artistic expression. 62 color plates. 25 halftones.
Looking In
Mieke Bal is one of Europe's leading theorists and critics. Her work within feminist art history and cultural studies provides a fascinating alternative to prevailing thinking in these fields. The essays in this collection include Bal's brilliant analyses of the: Myth of Rembrandt Imagery of Vermeer Baroque of Caravaggio Neo-Baroque of David Reed Culture of the museum Visual representation of rape Closet in Proust Bal brings a keen visual sense to these studies, as well as an understanding of how literature represents visuality and how the ethics and aesthetics present within museums affect the cultural artifacts displayed. In his engaging commentary, eminent art historian Norman Bryson shows how Bal's original approach to the interdisciplinary study of art and visual culture has had wide- reaching influence.
Narratology in Practice
Narratology in Practice draws on various cultural domains to explain the ways in which theory illuminates the presence of narrative.
Double Exposures
Bringing together an immense range of presentations -museum displays, stories, paintings, postcards, and philosophyMieke Bal offers fresh insights into showing and telling, analyzing the effects of display and of the different sorts of looking they encourage. What is the difference between looking at art and looking at animals in a museum of natural history ? What is involved in looking at paintings and at postcardswhat about paintings and stories of the Rape of Lucrece, or colonial postcards and books ...
The Trade of the Teacher
This book documents a series of conversations on the art of teaching between cultural theorist Mieke Bal and Jeroen Lutters. In a dialogue that also touches on the role of visual art, Lutters introduced paintings by Banksy, Rembrandt, Marlene Dumas, and George Deem as?teaching objects? and asked Bal to elucidate upon each. The result is a personal, meandering, and precise account of her way of thinking through visual art and literature, as well as how she exchanges ideas with students and colleagues. The text makes clear how objects can speak, how they are thought-images, and serves as a source of inspiration for both students and teachers of the arts and humanities.
Of What One Cannot Speak
Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal. In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salced...
Narratology
"Already a seminal work and international classic, Narratology is revised and updated in this fourth edition to include a greater emphasis on literary texts"--Back of book.
Narratology
Since its first publication in English in 1985, Mieke Bal's "Narratology" has become a classic introduction to the major elements comprising a comprehensive theory of narrative texts. In this second edition Professor Bal broadens the spectrum of her theoretical model, updating the chapters on literary narrative and adding new examples from outside of the field of literary studies. Some specific additions include discussions on dialogue in narrative, translation as transformation (including intermedia translation), intertextuality, interdiscursivity, and the place of the subject in narratology. Two new chapters, one on visualization and visual narrative with examples from art and film and the other an examination of anthropological views of narrative, lead Bal to conclude with a re-evaluation of narratology in light of its applications outside the realm of the literary.
