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Fiona has a chance to leave her dark past behind. Fee receives an email from a stranger named Lily, a countess who claims to have known her now-deceased mother. Lily invites her to live in her Scottish castle as an au pair for her young daughter, Poppy. But the family secrets she brings with her will either destroy her . . . When Fee starts hearing and seeing strange things around the castle at night, Fee is terrified she’s inherited her mother’s illness. She tells no one. Or set her free. Revealing her true identity might be the only thing that can release Fee from her tragic past. But will anyone believe her? Can Fee even believe herself?
Throughout the long running BBC series Doctor Who, the Doctor has rarely been alone, traveling with both female and male "companions." The companion is essential to Doctor Who because he or she is a stand-in for the audience, providing information about the Doctor's ongoing adventures. With the casting of a female actor in the role of the Doctor in 2018, one criticism of the series was finally resolved. After the shift in gender identity, the role of the Doctor and the companion also shifted--or has it? The continued focus on romantic relations between the TARDIS occupants has led to complaints from both male and female fans, reiterating and reinforcing myriad criticisms about the portrayal of the female companions. Essays in this book consider how gender is presented in Doctor Who and how certain female companions have been able to break out of the gendered roles usually assigned to them through the classic and new series.
Fiona Moore had everthing she could want, money, fame, success, love, family...But when she lost it all, more than her lifestyle was gone. She lost herself too.Afraid she was going insane, the alcoholic singer checked herself into a clinic for treatment and help, but would it come in time? Or would the secrets she buried deep in her mind destroy her when they were finally brought to light?
Six years ago, she was framed by her wicked sister and was abandoned by her then husband while she was pregnant. Six years later, she started anew with a different identity. Oddly, the same man who abandoned her in the past had not stopped pestering her at her front door. “Miss Gibson, what’s your relationship with Mister Lynch?” She smiled and answered nonchalantly, “I don’t know him.” “But sources say that you were once married.” She answered as she tucked her hair, “Those are rumors. I’m not blind, you see.” That day, she was pinned on the wall the moment she stepped in her door. Her three babies cheered, “Daddy said mommy’s eyes are bad! Daddy says he’ll fix it for mommy!” She wailed, “Please let me go, darling!”
This intriguing and absorbing book takes a look at aspects of Westerosi society and politics from an anthropological and organizational studies angle. It shows both how management theory influenced the world-building in the Game of Thrones franchise, and also how students, academics and managers can draw on the series to further enhance their understanding of concepts in human resource management and organization theory.
′This is a great resource that reflects the huge expertise of the authors. It will be welcomed by students, researchers and indeed anyone wanting critical but comprehensive coverage of key issues and trends concerning drugs and society - locally and globally, historically and today.′ - Nigel South, Professor of Sociology, University of Essex ′Provides informative, balanced and contextualized insights into the relationships between people and drugs. Whatever your background and however knowledgeable you feel you are about contemporary drug issues, I guarantee that you will learn something unexpected and new from this valuable text.′ - Joanne Neale, Professor of Public Health, Oxford B...
What an achievement! It is a major work. The letters taken together with the excellent introductory sections - so balanced and judicious and informative - what emerges is an amazing picture of William Sharp the man and the writer which explores just how fascinating a figure he is. Clearly a major reassessment is due and this book could make it happen. —Andrew Hook, Emeritus Bradley Professor of English and American Literature, Glasgow University William Sharp (1855-1905) conducted one of the most audacious literary deceptions of his or any time. Sharp was a Scottish poet, novelist, biographer and editor who in 1893 began to write critically and commercially successful books under the n...
From its first appearance in 1978 to its final episode in 1981, 'Blake's 7' was a series which pushed back the boundaries of what was possible in TV science fiction. Despite the attempts made by critics over the years to deride it for its low-budget special effects, sometimes-dubious costume design and overly middle-class casting, 'Blake's 7' continues to remain popular and to gain new audiences, due to its intelligent treatment of powerful themes of human evil, rebellion, love and death. In this book, Alan Stevens and Fiona Moore go beyond the stereotypes and look at the background to and the writing of the stories. Including technical details, overviews of the production of the series and in-depth analyses of every episode, this book is the ideal companion for anyone interested in the development of TV science fiction during the late seventies. '... a wealth of detail about the early development of the series.' From the foreword by series producer David Maloney