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This eBook is a collection of articles from a Frontiers Research Topic. Frontiers Research Topics are very popular trademarks of the Frontiers Journals Series: they are collections of at least ten articles, all centered on a particular subject. With their unique mix of varied contributions from Original Research to Review Articles, Frontiers Research Topics unify the most influential researchers, the latest key findings and historical advances in a hot research area! Find out more on how to host your own Frontiers Research Topic or contribute to one as an author by contacting the Frontiers Editorial Office: frontiersin.org/about/contact.
This book is about K-pop dance and the evolution and presence of its dance fandom on social media. Based on five years of ethnographic fieldwork, interviews, choreography, and participation-observation with 40 amateur and professional K-pop dancers in New York, California, and Seoul, the book traces the evolution of K-pop dance from the 1980s to the 2020s and explains its distinctive feature called ‘gestural point choreography’ – front-driven, two-dimensional, decorative and charming movements of the upper body and face – as an example of what the author theorizes as ‘social media dance.’ It also explores K-pop cover dance as a form of intercultural performance, suggesting that, by imitating and idolizing K-pop dance, fans are eventually ‘fandoming’ themselves and their bodies. Presenting an ethnographic study of K-pop dance and its fandom, this book will be a valuable resource for students and scholars of Media Studies, Korean Studies, Performance Studies, and Dance.
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencin...
The 78th Symposium volume covers many aspects of the immune system including the genetics, biochemistry, molecular and cell biology, and developmental biology of immune responses. New approaches intended to harness the immune system to treat disease, particularly cancer, are also discussed. The volume's broad synthesis of the current knowledge about immunity and tolerance includes molecular mechanisms of B and T lymphocyte development from the single cell to the entire organism and from single genes to genomes. There is a focus on the development and function of innate cells, including myeloid cells, natural killer cells, and a more recently defined innate lymphoid cell that resembles a T ce...
How has Hanguk (South Korean) hip hop developed over the last two decades as a musical, cultural, and artistic entity? How is hip hop understood within historical, sociocultural, and economic matrices of Korean society? How is hip hop represented in Korean media and popular culture? This book utilizes ethnographic methods, including fieldwork research and life timeline interviews with fifty-three influential hip hop artists, in order to answer these questions. It explores the nuanced meaning of hip hop in South Korea, outlining the local, global, and (trans)national flows of musical and cultural exchanges. Throughout the chapters, Korean hip hop is examined through the notion of buran—personal and societal anxiety or uncertainty—and how it manifests in the dimensions of space and place, economy, cultural production, and gender. Ultimately, buran serves as a metaphoric state for Hanguk hip hop in that it continuously evolves within the conditions of Korean society.
This book examines the transformation and the dynamic reconfiguration of borders within Korea through inter/trans-disciplinary approaches. The book offers a comprehensive synthesis for the changing geo-political, cultural, and economic dynamics among Korea’s diasporas by applying the theme of “diasporas within homeland” as a theoretical lens. While diaspora remains a central theoretical perspective (often highlighting “out of home” experiences), the volume turns its gaze inward, “within homeland,” to trace internal displacement, mobility, and diversity in Korea. In addition, this volume brings diverse scholarly traditions that bridge the diaspora with a wide range of theoretical lenses and methodological approaches, such as intercultural sensitivity and adaptation, acculturation, ideology critique, alienation, national memory, and postcolonialism. The book further explores the possibilities of coalition-building between/among diverse communities. As a study of the notion of Korean identity and citizenship, this book will be of huge interest to students and scholars of Korean society and culture, Asian diasporas, cultural anthropology, and ethnicity.