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An updated edition of an essential resource on the textile crafts of Sindh. The textile crafts of Sindh are amongst the oldest in South Asia. A kaleidoscope of color, mirrors, and embroidery, Sindhi textiles feature motifs of desert flowers, peacocks, scorpions, and sand dunes. The Flowering Desert explores the history, craftsmanship, styles, and stitches of textiles from Sindh in Pakistan, which, according to some scholars, was the crucible in which the textile traditions of Gujarat and Rajasthan were forged. It focuses on a spectacular private collection, parts of which have been exhibited at the Victoria & Albert Museum, London and the National Museums of Scotland. In addition to sumptuous photography of 120 remarkable objects--from tunics and turban sashes to dowry bags and animal adornments--the book includes essays on the history of the region, its ethnic groups, and their differing styles, as well as on the numerous stitches used in Sindhi embroidery. This is a revised second edition of the best-selling book which incorporates new and additional material as well as an expanded glossary, which will be of interest to both collectors and scholars.
In Postcolonial Past & Present twelve outstanding scholars of literature, history and visual arts look to those spaces Epeli Hau’ofa has insisted are full not empty, asking what it might mean to Indigenise culture. A new cultural politics demands new forms of making and interpretation that rethink and reroute existing cultural categories and geographies. These ‘makers’ include Mukunda Das, Janet Frame, Xavier Herbert, Tomson Highway, Claude McKay, Marie Munkara, Elsje van Keppel, Albert Wendt, Jane Whiteley and Alexis Wright. Case studies from Canada to the Caribbean, India to the Pacific, and Africa, analyse the productive ways that artists and intellectuals have made sense of turbulent local and global forces. Contributors: Bill Ashcroft, Debnarayan Bandyopadhyay, Anne Brewster, Diana Brydon, Meeta Chatterjee—Padmanabhan, Anne Collett, Dorothy Jones, Kay Lawrence, Russell McDougall, Tekura Moeka’a, Tony Simões da Silva, Teresia Teaiwa, Albert Wendt, Lydia Wevers, Diana Wood Conroy
Explore the Japanese city of Chichibu--a bastion of traditional Japanese customs--with this fascinating Japan travel guide. This is the first English guide to one of Japan's best-kept secrets, an idyllic haven of temples, shrines, and serene hills only a short train ride from the heart of Tokyo. Chichibu, a quiet basin enclosed by steep hills, is an area that evokes the charm and beauty of traditional Japan. This Chichibu travel book features easy-to-follow maps of the 34-temple pilgrimage route and a fold-out map of the Chichibu area; model itineraries; and comprehensive information about the area's numerous festivals.
With contributions from leading experts, this edited collection presents original research on the skills brought by immigrant communities to the textile and fashion industries, from the early modern to postmodern periods in Asia and the Islamic World, Europe, Africa, and the Americas. Manufacturing of textiles and apparel is arduous work, which historically depended on skilled artisans, inexpensive labor, and the introduction of labor-saving technology. Immigrant communities supplied much of the work force, bringing their own skill sets to new locations, leading to the development of new manufacturing centers and an increase in both production and technical expertise. Throughout the volume, ...
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended ...
"This publication began as a catalogue accompanying the exhibition Tale of the Tile: The Ceramic Traditions of Pakistan, held at the Mohatta Palace Museum from June 23, 2006 to July 17, 2010, showcasing the remarkable origins and tradition of ceramic architectural embellishment in the Indus valley, following the spread of Islam."--foreword
Asian Embroidery Is The Result Of An International Seminar Held By Crafts Council Of India, Which Was Coordinated By The Well-Known Authority On Textiles, Jasleen Dhamija. Writers, Researchers, Professors, Who Have Spent A Life Time Researching In Different Regions Of Asia Came Together To Share Their Know Ledge. Besides Well-Known Subjects As Phulkari, Bagh, The Central Asian Suzani, There Are The Little Known Embroideries Of The Philippines, Of Kyrgyzstan, Of The Chinese Settlers In Indonesia, The Beadwork Of Sarawak. There Is The Brilliant Work Of The Symbolic Significance Of Light And Shining Surfaces And A Broad Sweep Of The Creative Expressions Of Different Regions. The Contributors Are Well- Known Authorities Padma Shri Jagdish Mittal, Prof. Joanne Eicher, Prof. Victoria Rivers, John Gillow, Prof. Shehnaz Ismail, Dr. Judy Frater, Ruby Ghuznavi, Edric Ong And Many Others.
Women, Gender and Art in Asia, c. 1500?1900 brings women's engagements with art into a pan-Asian dialogue with essays that examine women as artists, commissioners, collectors, and subjects from India, Southeast Asia, Tibet, China, Korea, and Japan, from the sixteenth to the early twentieth century. The artistic media includes painting, sculpture, architecture, textiles, and photography. The book is broadly concerned with four salient questions: How unusual was it for women to engage directly with art? What factors precluded more women from doing so? In what ways did women's artwork or commissions differ from those of men? And, what were the range of meanings for woman as subject matter? The ...
A survey of spectacular breadth, covering the history of decorative arts and design worldwide over the past six hundred years
Zirkulation und Nachahmung haben einen wesentlichen Einfluss auf die Gestaltung der materiellen Welt. Die Beiträge des Bandes untersuchen, wie technisches Wissen, immaterielle Wünsche und politische Agenden die Produktion und Rezeption der visuellen und materiellen Kultur im Wandel der Zeit und Orte prägten. Sie gehen den Wanderungen von Kulturgütern unter besonderer Berücksichtigung ihrer Entstehungskontexte nach. Mit dem Begriff des „rhapsodischen Objektes" werden dabei die vielschichtigen, nicht immer in einem Zusammenhang stehenden Erzählungen der Objekte angesprochen.