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Revisionary Narratives
Revisionary Narratives examines the historical and formal evolutions of Moroccan women's auto/biography and testimony. Considering works in Arabic, Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media, the book highlights strategies women use to relate their experiences of political violence, migration, displacement, and globalization while also decentering patriarchal and (neo)imperial norms and practices.
Francophone African Women Documentary Filmmakers
Francophone African Women Documentary Filmmakers is groundbreaking edited collection which explores the contributions of Francophone African women to the field of documentary filmmaking. Rich in its scope and critical vision it constitutes a timely contribution to cutting-edge scholarly debates on African cinemas. Featuring 10 chapters from prominent film scholars, it explores the distinctive documentary work and contributions of Francophone African women filmmakers since the 1960s. It focuses documentaries by North African and Sub-Saharan women filmmakers, including the pioneering work of Safi Faye in Kaddu Beykat, Rama Thiaw's The Revolution Will Not be Televised, Katy Lena Ndiaye's Le Cercle des noyes and En attendant les hommes, Dalila Ennadre's Fama: Heroism Without Glory and Leila Kitani's Nos lieux interdits. Shunned from costly fictional- 35mm-filmmaking, Francophone African Women Documentary Filmmakers examines how these women engaged and experimented with documentary filmmaking in personal, evocative ways that countered the officially sanctioned, nationalist practice of show and teach/promote.
Contemporary Moroccan Thought
Contemporary Moroccan Thought offers a new and broad coverage of the intellectual dynamics and scholarly output of what is presented here as the Rabat School since the 1950s. Geographically situated at the western edge of the classical Arab-Islamic world, Moroccan scholarship has made a belated yet vigorous comeback on the modern Arab intellectual scene, attracting wider reception beyond the Arabic-speaking world, through influential contributions in philosophical, theological, social and cultural studies. This volume sets a new standard in the study of Moroccan, North African, and Middle Eastern societies, and will undoubtedly remain an important scholarly reference for generations to come....
Salafism in the Maghreb
The Arab Maghreb-the long stretch of North Africa that expands from Libya to Mauritania-is a vitally important region that impacts the security and politics of Europe, sub-Saharan Africa, and the broader Middle East. As Middle East scholars Frederic Wehrey and Anouar Boukhars show in Salafism in the Maghreb, it is also home to the conservative, literalist interpretation of Islam known as Salafism, which has emerged as a major social and political force. Through extensive interviews and fieldwork, Wehrey and Boukhars examine the many roles and manifestations of Salafism in the Maghreb, looking at the relationship between Salafism and the Maghreb's ruling regimes, as well as competing Islamist currents, increasingly youthful populations, and communal groups like tribes and ethno-linguistic minorities. They pay particular attention to how seemingly immutable Salafi ideology is often shaped by local contexts and opportunities. Informed by rigorous research, deep empathy, and unparalleled access to Salafi adherents, clerics, politicians, and militants, Salafism in the Maghreb offers a definitive account of this important Islamist current.
Ubuntu
Ubuntu is an African philosophical tradition that embodies the ability of one human being to empathize with another. It is the quintessence of African humanism, communalism, and belonging. As the late Archbishop Desmond Tutu anticipated, Ubuntu resonated with the moral intuition of the majority of black South Africans in the 1990s. As a result, it became the foundational ethical basis for articulating a new post-apartheid era of reconciliation and forgiveness in the face of a history marked by brutal racial violence. Yet Ubuntu, as a philosophy or ethical practice which has arguably come to represent African humanism and communalism, has not been sufficiently assimilated into contemporary philosophical scholarship. This anthology weaves interdisciplinary perspectives into the discourse on African relational ethics in dialogue with Western normative ideals across a wide range of issues, including justice, sustainable development, musical culture, journalism, and peace. It explains the philosophy of Ubuntu to both African and non-African scholars. Comprehensively written, this book will appeal to a broad audience of academic and non-academic readers.
Revisionary Narratives
Revisionary Narratives examines the historical and formal evolutions of Moroccan women’s auto/biography in the last four decades, particularly its conflation with testimony and its expansion beyond literary texts. The book analyzes life narratives in Arabic, colloquial Moroccan Darija, French, and English in the fields of prison narratives, visual arts, theater, and digital media. The various case studies highlight narrative strategies women use to relate their experiences of political violence, migration, displacement, and globalization, while engaging patriarchal and (neo)imperial norms and practices. Using a transdisciplinary interpretative lens, the analyses focus on how women authors, artists, and activists collapse the boundaries between autobiography, biography, testimony, and sociopolitical commentary to revise dominant conventions of authorship, transgress oppressive definitions of gender roles and relations, and envision change. Revisionary Narratives marks auto/biography and testimony as a specific field of inquiry within the study of women’s postcolonial cultural productions in the Moroccan and, more broadly, the Maghrebi and Middle Eastern contexts.
Communicating the Other Across Cultures
Exposes how we have constructed and marginalized the Other across cultures, and suggests creative global solutions for inclusive multiculturalism
Mapping Ideology in Discourse Studies
Discourse and ideology are quintessential, albeit contested concepts in many functionally oriented branches of linguistics, such as linguistic anthropology, critical discourse studies, sociolinguistics, and sociology of language. With many ways of understanding and utilizing the concepts, the line between discourse and ideology can become blurry. This volume explores divergent ways in which the concept of ideology may be applied in different branches of sociolinguistics and the sociology of language, critical discourse studies, and applied linguistics. The goal is to provide an overview of the ways in which these two concepts can be used separately or together, emphasizing one or the other d...
Contemporary Feminist Art by Women in North Africa
Contemporary Feminist Art by Women in North Africa: Body Talks dissects the diverse perceptions of the body and how it becomes symbolically charged in the artwork of six contemporary Maghrebi female artists: Majida Khattari, Lalla Essaydi, Zoulikha Bouabdellah, Déborah Benzaquen, Fatima Mazmouz and Zaïnab Fasiki. With a focus on the French, Maghrebi, and North American market and examining artistic mediums ranging from painting and photography to videos and installations, Ramona Mielusel highlights how the body functions as both subject and object of aesthetic discourse. The author denotes these artistic works as the intersection of the intimate and the impersonal, of the individual perception and the communitarian and societal view, without promoting a fixed notion of the body in a specific spatiality and temporality. This book explores the work of female Maghrebi artists and their intentional framing of the body’s duality between the symbolic and the real, between cultural interpretation of the body in literature and the actual perception of the body.
Digital Dissidence and Social Media Censorship in Africa
This book reflects on the rapid rise of social media across the African continent and the legal and extra-legal efforts governments have invented to try to contain it. The relentless growth of social media platforms in Africa has provided the means of resistance, self-expression, and national self-fashioning for the continent’s restlessly energetic and contagiously creative youth. This has provided a profound challenge to the African "gatekeeper state", which has often responded with strategies to constrict and constrain the rhetorical luxuriance of the social media and digital sphere. Drawing on cases from across the continent, contributors explore the form and nature of social media and ...
