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How to study a media object on the web that is at the same time a documentary, a reportage, and a game which combines both fiction and non-fiction elements? Nicole Braida digs into the discursive and material structures and infrastructures of serious games, text-adventures, newsgames, interactive maps, and data visualizations, in which refugees and migrants become the subject of humanitarian discourse. Although the goal is to arouse empathy towards migrants, these interactive practices distinguish who is vulnerable and who is not. It supports the idea of a migratory crisis, which, the author argues, is actually the symptom of a deeper crisis of the humanitarian system itself.
How to study a media object on the web that is at the same time a documentary, a reportage, and a game which combines both fiction and non-fiction elements? Nicole Braida digs into the discursive and material structures and infrastructures of serious games, text-adventures, newsgames, interactive maps, and data visualizations, in which refugees and migrants become the subject of humanitarian discourse. Although the goal is to arouse empathy towards migrants, these »interactive practices« distinguish who is vulnerable and who is not. It supports the idea of a »migratory crisis«, which, the author argues, is actually the symptom of a deeper crisis of the humanitarian system itself.
The large-scale movements of refugees and economic migrants from conflict zones to more stable societies have resulted in challenges, both for new entrants and their hosts. This fascinating volume brings together a collection of media analyses focused on immigration issues to examine how migration has been represented to the public. Case studies exploring media coverage of migrants and refugees in Europe enable the reader to better understand the complexity of the process through a range of unique and unexplored dimensions of immigration analysis, including strategic framing theory, game structure analysis, migration maps and routes, television narratives, rumour-based communication, and state-bred campaigns. The insights into the perspective of migrants, the general public and policy makers provide innovative methodological and theoretical analysis on population movements which will be of interest to scholars, students, and policy makers working in the fields of migration studies, international relations, peace and security studies, and social and public policy.
From TIFF files to TED talks, from book sizes to blues stations - the term "format" circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities? Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort to advance the emerging field of format studies.
Bisexuality in Europe offers an accessible and diverse overview of research on bisexuality and bi+ people in Europe, providing a foundation for theorising and empirical work on plurisexual orientations and identities, and the experiences and realities of people who desire more than one sex or gender Counteracting the predominance of work on bisexuality based in Ango-American contexts, this collection of fifteen contributions from both early-career and more senior academics reflects the current state of research in Europe on bisexuality and people who desire more than one sex or gender. The book is structured around three interlinked themes that resonate well with the international research f...
This book explores the historical interrelationships between mathematics, medicine and media, and offers a unique perspective on how video compression has shaped our relationship with moving images and the world. It situates compression in a network of technological, visual and epistemic practices spanning from late 18th-century computational methods to the standardization of electrical infrastructure and the development of neurology throughout the 1900s. Bringing into conversation media archaeology, science and technology studies, disability studies and queer theory, each chapter offers an in-depth look at a different trace of compression, such as interlacing, macroblocking or flicker. This is a story of forgotten technologies, unusual media practices, strange images on the margins of visual culture and inventive ways of looking at the world. Readers will find illuminating discussions of the formation of complex scientific and medical systems, and of the violent and pleasurable interactions between our bodies and media infrastructure.
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In the last ten years, the field of documentary has been subject to substantial paradigm shifts due to the rise of digital media practices. This publication explores some central questions arising in this context: Who are the different interactors networking within the ‘new’ documentary nexus? How can we conceptualize interactive documentary practices as encounters and dynamic interactions within digital media culture and beyond? How can one methodologically approach this complex networked yet dynamic nexus in its constant flux? Developing a coherent and expandable operational set of methods to describe and analyse paradigmatic cases, this book addresses documentary theorists, (new) media scholars and students of media and communication studies who want to gain a survey of current developments in the field of interactive documentary practices.