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More than a simple expository history, A Thousand Years of Nonlinear History sketches the outlines of a renewed materialist philosophy of history in the tradition of Fernand Braudel, Gilles Deleuze, and F lix Guattari, while also engaging the critical new understanding of material processes derived from the sciences of dynamics.Following in the wake of his groundbreaking War in the Age of Intelligent Machines, Manuel De Landa presents a radical synthesis of historical development over the last one thousand years. More than a simple expository history, A Thousand Years of Nonlinear History sketches the outlines of a renewed materialist philosophy of history in the tradition of Fernand Braudel...
In 1978, as the protests against the Shah of Iran reached their zenith, philosopher Michel Foucault was working as a special correspondent for Corriere della Sera and le Nouvel Observateur. During his little-known stint as a journalist, Foucault traveled to Iran, met with leaders like Ayatollah Khomeini, and wrote a series of articles on the revolution. Foucault and the Iranian Revolution is the first book-length analysis of these essays on Iran, the majority of which have never before appeared in English. Accompanying the analysis are annotated translations of the Iran writings in their entirety and the at times blistering responses from such contemporaneous critics as Middle East scholar M...
The "Ethiope," the "tawny Tartar," the "woman blackamoore," and "knotty Africanisms"—allusions to blackness abound in Renaissance texts. Kim F. Hall's eagerly awaited book is the first to view these evocations of blackness in the contexts of sexual politics, imperialism, and slavery in early modern England. Her work reveals the vital link between England's expansion into realms of difference and otherness—through exploration and colonialism-and the highly charged ideas of race and gender which emerged. How, Hall asks, did new connections between race and gender figure in Renaissance ideas about the proper roles of men and women? What effect did real racial and cultural difference have on...
She also shows that in Renaissance comedy, playwrights exploited the many bawdy meanings of fucus, or cosmetic paint, to dramatize that "theres knauery in dawbing.".
This original study examines how the plays of Shakespeare and other Renaissance dramatists reflect and engage with the early modern discourse of cosmetics.
Traces the origins of holidays such as Easter, Christmas, and May Day describing the various customs and celebrations connected with each.
Here is a rich selection of short, meaningful excerpts from the writings of Bishop Fulton J. Sheen. Forming a collection of landmarks along the way to spiritual peace, each paragraph in this book has been selected for the specific help and guidance it can bring in helping to make life worth living. These brief, perceptive selections from thirty of Bishop Sheen's books reveal a brilliant mind at work as it considers the affairs of men, both spiritually and temporally. Love, hate, frustration, passion, virtue, wisdom, peace--all that goes into the complexity of man's life on earth is considered with rare sensitivity and frequently penetrating humor.
This new edition of Michael H. Hunt's classic reinterpretation of American diplomatic history includes a preface that reflects on the personal experience and intellectual agenda behind the writing of the book, surveys the broad impact of the book's argument, and addresses the challenges to the thesis since the book's original publication. In the wake of 9/11 this interpretation is more pertinent than ever. Praise for the previous edition:"Clearly written and historically sound. . . . A subtle critique and analysis."—Gaddis Smith, Foreign Affairs "A lean, plain-spoken treatment of a grand subject. . . . A bold piece of criticism and advocacy. . . . The right focus of the argument may insure its survival as one of the basic postwar critiques of U.S. policy."—John W. Dower, Bulletin of the Atomic Scientists "A work of intellectual vigor and daring, impressive in its scholarship and imaginative in its use of material."—Ronald Steel, Reviews in American History "A masterpiece of historical compression."—Wilson Quarterly “A penetrating and provocative study. . . . A pleasure both to read and to contemplate."—John Martz, Journal of Politics