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Ibss: Anthropology: 1988
This bibliography lists the most important works in anthropology published in 1988.
Bibliographie Internationale D'anthropologie Sociale Et Culturelle 1992
The IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
Audias fabulas veteres. Anatolian Studies in Honor of Jana Součková-Siegelová
The publication Audias fabulas veteres. Anatolian Studies in Honor of Jana Součková-Siegelová contains 31 contributions on current research topics in the fields of Ancient Anatolian and Near Eastern Languages, History, Religion, and Literature. The topics cover not only the main languages of this geographical area, such as Hittite, Luwian, Hattian, Hurrian, Akkadian, and Sumerian but also comparative linguistics and the latest methods of digitalising cuneiform texts, as well as religion, mythology and divinities, rituals, proverbs and analysis of geographical and historical documentation. Finally, it offers new analyses of some of the most remarkable texts and text passages of the ancient Anatolian literary tradition.
The Shaping of Persian Art
While the impact of the Persian style is undeniably reflected in most aspects of the art and architecture of Islamic Central Asia, this Perso-Central Asian connection was chiefly formed and articulated by the Euro-American movement of collecting and interpreting the art and material culture of the Persian Islamic world in modern times. This had an enormous impact on the formation of scholarship and connoisseurship in Persian art, for instance, with an attempt to define the characteristics of how the Islamic art of Iran and Central Asia should be viewed and displayed at museums, and how these subjects should be researched in academia. This important historical fact, which has attracted schola...
Perspectives on the History of Ancient Near Eastern Studies
The present volume collects eighteen essays exploring the history of ancient Near Eastern studies. Combining diverse approaches—synthetic and analytic, diachronic and transnational—this collection offers critical reflections on the who, why, and how of this cluster of fields. How have political contexts determined the conduct of research? How do academic agendas reflect larger social, economic, and cultural interests? How have schools of thought and intellectual traditions configured, and sometimes predetermined, the study of the ancient Near East? Contributions treating research during the Nazi and fascist periods examine the interpenetration of academic work with politics, while contri...
Tanbûr Long-Necked Lutes along the Silk Road and beyond
This book is divided into two main parts: ‘The Tanbûr Tradition’ discusses the origin, history, construction and playing techniques of tanbûrs; ‘The Tanbûr Family’ focusses on long-necked lutes as a family of musical instruments. After a short introduction, the construction, playing technique, and musical traditions are discussed.
Indický textil ve sbírkách Náprstkova muzea
Publikace seznamuje čtenáře s pestrým souborem textilií z indického subkontinentu ze sbírek Náprstkova muzea v Praze. Rozmanité přírodní podmínky dnešní Indie, Pákistánu a Bangladéše stejně jako národnostní, sociální a náboženská specifika se odrážejí v široké škále materiálů, výrobních technik i repertoáru vzorů použitých při výrobě oděvů. Práce poskytuje řadu informací všem zájemcům o indickou kulturu stejně jako obecných znalostí o textilnictví, tradičních řemeslech i muzejním odborníkům. Indické oděvy jsou vedle erudovaného výkladu představeny i velkým množstvím barevných fotografií.
Women in Nineteenth-Century Czech Musical Culture
This volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.
