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When the Wanderers Come Home
Described by African scholar and literary critic Chielozona Eze as “one of the most prolific African poets of the twenty-first century,” Patricia Jabbeh Wesley composed When the Wanderers Come Home during a four-month visit to her homeland of Liberia in 2013. She gives powerful voice to the pain and inner turmoil of a homeland still reconciling itself in the aftermath of multiple wars and destruction. Wesley, a native Liberian, calls on deeply rooted African motifs and proverbs, utilizing the poetics of both the West and Africa to convey her grief. Autobiographical in nature, the poems highlight the hardships of a diaspora African and the devastation of a country and continent struggling to recover. When the Wanderers Come Home is a woman’s story about being an exile, a survivor, and an outsider in her own country; it is her cry for the Africa that is being lost in wars across the continent, creating more wanderers and world citizens.
Becoming Ebony
Recapturing the celebratory voice of Africa in poems that are both contemporary and traditional, Liberian-born Patricia Jabbeh Wesley weaves lyrical storytelling with oral history and images of Africa and America, revealing powerful insights about the relationship between strength and tragedy—and finding reason to celebrate even in the presence of war, difficulties, and death. Rooted in myths that can be traced to the Grebo tradition, Becoming Ebony portrays Liberian-born Wesley’s experiences of village talk and civil war as well as her experiences of the pain of her mother’s death and the difficulties of rearing a family away from home in the United States, and explores the questions of living in the African Diaspora. Turning on the African proverb of “the wandering child” and the metaphor of the ebony tree—which is beautiful in life and death— these poems delve into issues of human suffering and survival, plainly and beautifully chronicling what happens “after the sap is gone.”
The River Is Rising
Patricia Jabbeh Wesley and her family fled their native country after suffering tremendous privations and violence during the bloody Liberian Civil War at the end of the 20th Century. These poems are more than the story of one woman who carried her children over dead bodies in the streets where she lived, who fled bombs and constant gunfire, who was locked with her daughters in an internment camp where she witnessed every kind of crime against women. Wesley did more than survive. She helped other women. She wrote. The River Is Rising is more than a collection of poems, it is a story of family, customs, struggle, survival, witness, and love. Originally published by Autumn House Press in 2007, Press 53 returns this important book to print as part of its Silver COncho Poetry Series, edited by Pamela Uschuk and William Pitt Root.
Before the Palm Could Bloom
Poetry. African Studies. In BEFORE THE PALM COULD BLOOM, Patricia Jabbeh Wesley writes poems of the Liberian civil war and of the devastation it has wrought. And In poems ofvillage life and customs, the city life of Monrovia, the rites of childhoodand adolescence, Wesley records for the reader a world that has been foreverchanged. Wesley's poems incorporate many African voices, and range in tonefrom sorrow and longing, to humor and ironic wit.
Praise Song for My Children
Praise Song for My Children celebrates twenty-one years of poetry by one of the most significant African poets of this century. Patricia Jabbeh Wesley guides us through the complex and intertwined highs and lows of motherhood and all the roles that it encompasses: parent, woman, wife, sister, friend. Her work is deeply personal, drawing from her own life and surroundings to convey grief, the bleakness of war, humor, deep devotion, and the hope of possibility. These poems lend an international voice to the tales of motherhood, as Wesley speaks both to the African and to the Western experience of motherhood, particularly black motherhood. She pulls from African motifs and proverbs, utilizing t...
Stars Shall Bend Their Voices
In ''Stars Shall Bend Their Voices,'' some of the most respected living poets meditate on the role of hymns and spiritual songs in their lives and writing. Representing many spiritual traditions and many approaches to personal spiritual practice, Stars Shall Bend Their Voices is a testament to the lasting impact of spiritual music on many of today's best poets.
Futurism and the African Imagination
This book investigates how African authors and artists have explored themes of the future and technology within their works. Interdisciplinary in its approach, this book will be an important resource for researchers across the fields of African literature, philosophy, culture and politics.
Ethics and Human Rights in Anglophone African Women’s Literature
This book proposes feminist empathy as a model of interpretation in the works of contemporary Anglophone African women writers. The African woman’s body is often portrayed as having been disabled by the patriarchal and sexist structures of society. Returning to their bodies as a point of reference, rather than the postcolonial ideology of empire, contemporaryAfrican women writers demand fairness and equality. By showing how this literature deploys imaginative shifts in perspective with women experiencing unfairness, injustice, or oppression because of their gender, Chielozona Eze argues that by considering feminist empathy, discussions open up about how this literature directly addresses the systems that put them in disadvantaged positions. This book, therefore, engages a new ethical and human rights awareness in African literary and cultural discourses, highlighting the openness to reality that is compatible with African multi-ethnic, multi-racial, and increasingly cosmopolitan communities.
Colors of Nature
“An anthology of nature writing by people of color, providing deeply personal connections to—or disconnects from—nature.” —NPR From African American to Asian American, indigenous to immigrant, “multiracial” to “mixed-blood,” the diversity of cultures in this world is matched only by the diversity of stories explaining our cultural origins: stories of creation and destruction, displacement and heartbreak, hope and mystery. With writing from Jamaica Kincaid on the fallacies of national myths, Yusef Komunyakaa connecting the toxic legacy of his hometown, Bogalusa, LA, to a blind faith in capitalism, and bell hooks relating the quashing of multiculturalism to the destruction of...
