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Competition for a Southern bridal magazine cover unleashes mayhem, forcing a mastermind maid of honor to stop being a people pleaser and start figuring out what she wants out of life. A hilarious, smart coming-of-age story. Olivia “Liv” Fitzgerald’s life is on ambition autopilot. The soon-to-be-lawyer has her life plan set and can talk anyone into anything. Well, almost anything. When her scheming aunt throws her cousin, Kali, into a competition for Southern Charm’s cover alongside Liv’s best friend, Leighton, all hell breaks loose. To save the day, Liv only has to: a) Secure the Southern Charm cover for Leighton b) Keep Aunt Charlotte happy—and keep Kali’s Atlanta wedding running smoothly c) Finish her final year of law school in Nashville and nab a coveted NYC big law job d) Win over the guy of her dreams Easy, right? From engagement parties to rehearsal dinners, readers will root for Liv as she balances her schemes, dreams, and double maid of honor duties.
Lightning provides: 32 books with 3 levels of differentiation per book; whole texts that provide NLS genre coverage; linked themes across fiction, non-fiction and the wider curriculum; focussed teaching support for each book including comprehension and writing activities; and a teaching and practice CD that provides opportunities for ICT.
An expansive and revelatory study of Robert Smithson’s life and the hidden influences on his iconic creations This first biography of the major American artist Robert Smithson, famous as the creator of the Spiral Jetty, deepens understanding of his art by addressing the potent forces in his life that were shrouded by his success, including his suppressed early history as a painter; his affiliation with Christianity, astrology, and alchemy; and his sexual fluidity. Integrating extensive investigation and acuity, Suzaan Boettger uncovers Smithson’s story and, with it, symbolic meanings across the span of his painted and drawn images, sculptures, essays, and earthworks up to the Spiral Jett...
Most artists work alone, but some find a creative partner and team up for their entire careers. Artistic collaborators often testify that their work done jointly is better than what each person could create on his or her own. They say this collaboration is like marriage in the way that both partners benefit from a commitment to shared goals, excellent communication and trust. Based on studio visits and in-depth interviews, this book reports on more than forty collaborating sculptors, painters, printmakers, photographers, architechs and performers who have worked in tandem with other artists.
Over half of all people working on behalf of any given organization are typically not their own employees. Some are freelance contractors working in their own right. A significant proportion is employed to provide these services by another firm, under agency or outsourcing service agreements. The services they perform under these agreements are often vital in supporting the organization’s customer relationships, reputation and brand identity. Yet, remarkably, little attention has been paid to how these ‘non-employees’ are managed, motivated and meaningfully engaged. Management protocol generally sees them as outside the organization’s remit or control. The law paints them as victims....
This book considers questions of materiality and painting, focalized through the notoriously obscure work of Georges Rouault, and offers an innovative critical approach to the various questions raised by this challenging modernist. Described as a difficult and dark painter, Rouault's oeuvre is deeply experimental. Images of the circus emerge from a plethora of chaotic marks, while numerous landscapes appear as if ossified in thick paint. Rouault's work explodes the genre of painting, drawing upon the residue of Gustave Moreau's symbolism, the extremities of Fauvism, and the radical theatrical experiments of Alfred Jarry. The repetitions and re-workings at the heart of Rouault's process defy conventional chronological treatment, and place the emphasis upon the coming-into-being of the work of art. Ultimately, the book reveals the process of making as both a search for understanding and a response to the problematic world of the 20th century.
The importance of simulation in education, specifically in legal subjects, is here discussed and explored within this innovative collection. Demonstrating how simulation can be constructed and developed for learning, teaching and assessment, the text argues that simulation is a pedagogically valuable and practical tool in teaching the modern law curriculum. With contributions from law teachers within the UK, Australia, Hong Kong, South Africa and the USA, the authors draw on their experiences in teaching law in the areas of clinical legal education, legal process, evidence, criminal law, family law and employment law as well as teaching law to non-law students. They claim that simulation, as a form of experiential and problem-based learning, enables students to integrate the ’classroom’ experience with the real world experiences they will encounter in their professional lives. This book will be of relevance not only to law teachers but university teachers generally, as well as those interested in legal education and the theory of law.
DigiCat Publishing presents to you this special edition of "Wickford Point" by John P. Marquand. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
In essays that span three decades, one of contemporary art's most esteemed critics celebrates artists who have persevered in the service of a medium. The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the “post-medium condition”—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a “...