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Lucien (Lucy) Minor is the resident odd duck in the bucolic hamlet of Bury. Friendless and loveless, young and aimless, he is a compulsive liar and a melancholy weakling. When Lucy accepts employment assisting the majordomo of the remote, forbidding castle of the Baron Von Aux he meets thieves, madmen, aristocrats, and a puppy. He also meets Klara, a delicate beauty who is, unfortunately, already involved with an exceptionally handsome partisan soldier. Thus begins a tale of polite theft, bitter heartbreak, domestic mystery and cold-blooded murder in which every aspect of human behaviour is laid bare for our hero to observe. Lucy must stay safe, and protect his puppy, because someone or something is roaming the corridors of the castle late at night. Undermajordomo Minor is a triumphant ink-black comedy of manners by the Man Booker shortlisted author of The Sisters Brothers. It is an adventure story, and a mystery, and a searing portrayal of rural Alpine bad behaviour with a brandy tart, but above all it is a love story. And Lucy must be careful, for love is a violent thing.
NOW A MAJOR FILM STARRING MICHELLE PFEIFFER AND LUCAS HEDGES A tragedy of manners from the Man Booker-shortlisted author of The Sisters Brothers 'My favourite book of his yet' Maria Semple, author of Where'd You Go, Bernadette 'Pure joy' Mail on Sunday 'Buoyantly insane' New Yorker Frances Price is in dire straits. Scandals swirl around the recently widowed New York socialite, and her adult-aged, toddler-brained son Malcolm is no help. Cutting their losses, they grab their cat, Small Frank, and head for the exit. Paris becomes the backdrop for a giddy drive to self-destruction, helped along by a cast of singularly curious characters. Brimming with pathos, warmth and wit, French Exit is a riotous send-up of high society and a moving story of mothers and sons.
Now a major film starring Jaoquin Phoenix, John C. Reilly, Jake Gyllenhal and Riz Ahmed. Shortlisted for the 2011 Man Booker Prize, deWitt's dazzlingly original second novel is a darkly funny, offbeat western about a reluctant assassin and his murderous brother. Hermann Kermit Warm is going to die. Across 1000 miles of Oregon desert his assassins, the notorious Eli and Charlies Sisters, ride - fighting, shooting, and drinking their way to Sacramento. But their prey isn't an easy mark, the road is long and bloody, and somewhere along the path Eli begins to question what he does for a living - and whom he does it for. The Sisters Brothers pays homage to the classic Western, transforming it into an unforgettable ribald tour de force. Filled with a remarkable cast of losers, cheaters, and ne'er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.
In our third anthology, Aimee Bender introduces us to a young woman unable to summon the desire to sleep with her husband without payment in cash, Matt Sumell's protagonist feels capable of anything but can save no one, Rick Moody charts the rise an fall of a romance via Twitter, Patrick deWitt presents a bleak, funny tale of two movers who are going nowhere, and Jenny Offill chronicles the awkward vigil of a man caring for his terminally ill ex-wife.
Katherine is 17, living alone in the beautiful, desolate landscape of southern Arizona. Her mother is feckless, her father busy with his new family. Meeting Son, the scion of a local rancher, seems like deliverance. They marry and live as a family in his parents' venerable adobe house, but it soon becomes clear that Son is a man who, as his father says, has a "young heart near withered beneath the breastbone." Katherine must find her own way during a dangerous months-long drought, when everything seems to be disintegrating around her. Susan Froderberg's incantatory language -- and her deep knowledge of both the complexities of a small, deeply-rooted place and the human heart -- make Old Border Road soar.
The book of human skin is a large volume with many pages of villainy writ upon it. There are people who are a disease, you know. 13 May, 1784, Venice: Minguillo Fasan, heir to the decaying, gothic Palazzo Espagnol, is born. Yet Minguillo is no ordinary child: he is strange, devious and all those who come near him are fearful. Twelve years later Minguillo is faced with an unexpected threat to his inheritance: a newborn sister, Marcella. His untempered jealousy will condemn his sister to a series of fates as a cripple, a madwoman and a nun. But in his insatiable quest to destroy her, he may have underestimated his sister's ferocious determination, and her unlikely allies who will go to extraordinary lengths to save her...
'My favourite book. I can't think of a modern novel that seems more likely to become a classic' Tennessee Williams 'The book I give as a gift . . . It feels like giving someone an exotic fruit' Sheila Heti 'A modern legend . . . A very funny writer' Truman Capote 'Profoundly witty, genuinely unusual in its apprehensions, and bracingly, humanely true' Claire Messud I am going on a trip. Wait until I tell you about it. it's terrible. Miss Goering, an eccentric, impulsive New York heiress, resides in her house and tries not to be unhappy. Mrs Copperfield, an anxious, dutiful married woman, has a great fear of drowning, of lifts, of intruders in the night. Two serious ladies, nothing is natural for them and anything is possible. For Mrs Copperfield - a trip to Panama, where she abandons her husband for love of a local prostitute. For Miss Goering - a move to a squalid little house on an island and a series of sordid encounters with strangers. Both go to pieces -and both realise this is something they've wanted to do for years. With an introduction by Naoise Dolan A W&N Essential
‘Fiercely intelligent, very funny and unlike anything else I’ve ever read’ MARK HADDON 'Original...witty...playful...a wonderfully funny book' JAMES WOOD 'A triumph – a genuinely new story, a genuinely new form' A. S. BYATT Eleven-year-old Ludo is in search of a father. Raised singlehandedly by his mother Sibylla, Ludo’s been reading Greek, Arabic, Japanese and a little Hebrew since the age of four; but reading Homer in the original whilst riding the Circle Line on the London Underground isn’t enough to satisfy the boy’s boundless curiosity. Is he a genius? A real-life child prodigy? He’s grown up watching Seven Samurai on a hypnotising loop – his mother’s strategy to give him not one but seven male role models. And yet Ludo remains obsessed with the one thing his mother refuses to tell him: his real father’s name. Let loose on London, Ludo sets out on a secret quest to find the last samurai – the father he never knew.
Michael Winter's The Big Why takes the tradition of the historical novel and twists it into the cool, sinuous, entertaining shape we've all been waiting for. His characters are real and from the past, but the lives they live feel contemporary and emotionally modern. Winter's version of the American artist Rockwell Kent is an over aged, erotically fleckless Huck Finn ready to leave the superficial art world of New York and light out for the territory. Only he heads the wrong way: north and east to Brigus, Newfoundland, before and at the beginning of World War One. A socialist and a philanderer, certain in the greatness of his work, he is drawn north by a fascination for the rocky Atlantic coa...
The long-awaited second novel by the author of “arguably the most exciting debut novel of the decade: The Last Samurai.” (Sam Anderson, New York). “All I want is to be a success. That’s all I ask.” Joe fails to sell a single set of the Encyclopedia Britannica in six months. Then fails to sell a single Electrolux and must eat 126 pieces of homemade pie, served up by his would-be customers who feel sorry for him. Holed up in his trailer, Joe finds an outlet for his frustrations in a series of ingenious sexual fantasies, and at last strikes gold. His brainstorm, Lightning Rods, Inc., will take Joe to the very top — and to the very heart of corporate insanity — with an outrageous s...