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Inga
THE STORYTELLER TAKES YOU ALONG WITH HER AS SHE WATCHES HER OWN LIFE, WIDE EYED AND INNOCENT, AND SEARCHES FOR HER COUSIN AND BEST FRIEND – INGA. If anyone could transform laughter to light, she did, Inga. Radiance upon radiance of laughter, chime upon bell chime of light sparkled and shone everywhere. It was as if the sky showered tiny star grains that scattered, glinting, on the hay heap we were cocooned in; they sparkled on the leaves of the jackfruit tree above and dusted my arms with gold. Who could resist such a dance of light...? I couldn’t, I never could. Almost never. Rapa is born into a Tamil Brahmin family, full of dark secrets. She is brought up in Delhi where an ‘English�...
Women Centre Stage
This selection of six contemporary plays explores a wide range of issues — familial, social, mythological, political — with women centre stage. The plays are distinct from each other in structure, theme and style, but are bound together by a common thread — the position and role of women in family, social and political systems. Issues such as sexual abuse, in-law relationships, the trauma of ageing, the struggle for women’s empowerment, love and passion, desire and revenge, and dynastic politics are discussed through the varying perspectives of a number of characters, bringing an immediacy and urgency to the subjects under consideration. What is significant about the plays is that they highlight the manipulation of the English language resulting with the introduction of an ‘Indian’ syntax. Multilingualism is used to offset the so-called ‘westernisation’ that has been the by-product of the systematic globalisation of ‘third world’ countries. While the plays are meant to be staged, they are also very reader-friendly and will be entertaining as well as educative for the general reader.
Vikram and Vetal
Age old stories of Vikram and Vetal. The tales are retold in a short story/novel way.
Vikramaditya's Throne
A young girl’s father goes missing A strange old man insists on his storytelling An ancient throne reveals forgotten tales When Upa's father gets kidnapped from the tiny village where he was working, she and her mother move to her great-grandmother's house in a small town, to recover from the shock. There the dejected and worried mother and daughter are befriended by an odd-looking stranger who insists on telling them stories of King Vikramaditya and his long-lost throne. As Upa and her mother listen to these magical stories they begin to see the goodness in the people around them and recognize the relevance of the tales of King Vikramaditya in their lives today. Funny yet thought-provoking, Poile Sengupta's retelling of these ancient stories makes them come alive like never before.
Good Heavens!
Seven thought-provoking and fun plays for children The stage is a magical place, where the ordinary transforms into the extraordinary and imagination rules supreme. Discover the wonders of the stage with Good Heavens!. The seven plays in this collection will help you explore different aspects of theatre. While some require interesting sets, props and costumes, others demand imaginative choreography, music, and stage lighting. Good Heavens!, No, Not I and Stone Soup will have the audience doubling up with laughter; Hamsadhwani and A Christmas Miracle will make them ponder and debate; and The White Elephant and The Monster Night throw up unusual problems that children resolve! In the detailed introduction, the author discusses theatre, its origins, and how to prepare for a production. Meticulous, with step-by-step details on auditions, rehearsals, props, set design, sound, music, costumes and lighting, it acquaints you with the stage and its requirements. Written by one of India’s most exciting playwrights for children, Good Heavens! is invaluable for all who are interested in children’s plays, and especially those involved in children’s theatre productions.
Indian English Literature
In Recent Years, The Indian English Literature Has Made Conspicuous Progress In All Its Forms, Mainly In Fiction And Poetry. The Present Anthology Aims At Presenting An In-Depth Study Of Nineteen Authors Who Are Both Established As Well As Upcoming Writers: Toru Dutt, Nissim Ezekiel, Jayanta Mahapatra, R.C. Shukla, Rajendra Singh, Mulk Raj Anand, Kamala Markandaya, Amitav Ghosh, Arundhati Roy, Shashi Tharoor, Shiv K. Kumar, Shobha De, Intizar Husain And Mahesh Dattani. Although The Present Anthology Contains Articles On Indian English Poetry, Fiction And Drama, But Fiction Enjoys A Prominent Place.Since Most Of The Authors Included In The Present Volume For Discussion Are Prescribed In The English Syllabus In The Various Indian Universities, It Is Hoped That Both The Teachers And Students Will Find The Book Extremely Useful. Even The General Readers Who Are Interested In Literature In English Will Find It Intellectually Stimulating.
Postmodern Indian English Literature
Postmodernism In Indian English Literature Refers To The Works Of Literature After 1980. If Raja Rao S Kanthapura (1938) Marks Modernism, Salman Rushdie S Midnight S Children (1981) And Nissim Ezekiel S Latter-Day Psalms (1982) Mark Postmodernism In Indian English Literature. In This Book, Dr. Bijay Kumar Das Has Analysed Postmodern Indian English Literature Genre-Wise Poetry, Novel, Short Story, Drama And Autobiography. This Is A Critical History Of Indian English Literature In The Postmodern Period, Meant For Students, Researchers As Well As Teachers Who Seek An Introduction To It.
Sorry, Best Friend!
A delectable offering of the best stories written by master storytellers, including Ruskin Bond, Anita Desai, Satyajit Ray, R.K. Narayan, Salman Rushdie and Vikram Seth, to name a few. Each story represents the richness and range of contemporary writing for children, and is beautifully illustrated to make this truly a collector's item.
World Theories of Theatre
World Theories of Theatre expands the horizons of theatrical theory beyond the West, providing the tools essential for a truly global approach to theatre. Identifying major debates in theatrical theory from around the world, combining discussions of the key theoretical questions facing theatre studies with extended excerpts from primary materials, specific primary materials, case studies and coverage of Southern Africa, the Caribbean, North Africa and the Middle East, Oceania, Latin America, East Asia, and India. The volume is divided into three sections: Theoretical questions, which applies cross-cultural perspectives to key issues from aesthetics to postcolonialism, interculturalism, and g...
