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"The dual exhibitions...focus on large - and small - scale repetitions of Greek statuary types in ancient Rome and modern Europe. The two exhibitions - which for us mark the start of a dialogue between the new space in Milan designed by Rem Koolhaas and our venue in Venice, in Ca’ Corner della Regina - depitct antiquity as being different from how we customarily think of it: whereby statuary white was color, uniqueness was multiple, and authorship shared."--Page 45.
The Prada foundation's new Art Centre and permanent Exhibition Space is situated in a location that includes buildings dating from 1910s belonging to one of the first Milanese spirits manufacturing companies. Preserved in their original conditions, the seven buildings including warehouse, laboratories, brewing silos and workers' residences surround a large courtyard. OMA/Rem Koolhaas's project adds an exhibition building, an auditorium and a tower to the existing structure to house selcections of works from the collection. This project is a unique approach to the idea of the co-existence of contemporary architecture with the regeneration of an historic area, representing the evolution of the industrial development of Milan that continues to the present day.
This temporary project demonstrated a dialogue between Congolese and Western culture which co-existed side by side in the Double Club.
"The purpose of this book is to retrace and represent the multivalent aspects of Prada: from fashion to communication, from the pursuit of excellence to technological advancement, from architecture to art." -- Introduction.
For over a decade, Sachs has pondered the technical ingenuity that brought America the Apollo program. This text documents the culmination of his research - the realization of his own life-size Space Program, comprised of three main sculptural elements & a flight plan, all used during a live demonstration of a lunar landing.
"In addition to a text by the curator, the volume contains essays by scholars, theorists and artists that take a historical, critical, philosophical and sociological look at the theme of multiplication in art through a variety of languages and media: magazines, books, radio, film, design, fashion, performance and editions of artists' originals and multiples, over a period that stretches from the historical Avant-Garde to the 1970s"--Page [11].
"Pradasphere is a collection of archival objects arranged to reveal the complex, often intertwined obsessions of one of the world's most influential designers. The Prada vision is manifest in everything frrom fashion and accessories to art, architecture, film and culture. Pradasphere posits that when these elements are taken as a whole, core ideas - about beauty, taste, embellishment, gender, vanity and power - emerge"--P. 13.
In the Aoyama district of Tokyo, a mixed-use neighborhood of low-rise buildings where not a square meter of land has been left unoccupied, the Swiss architecture team of Herzog & de Meuron has built a new store for Prada. In this chunky, silvery book, they meticulously illustrate the creative process that led to the realization of "a house and a plaza," a tall and narrow kaleidoscope-like structure that houses a two-story retail space and multiple levels of offices, backed by an outdoor space for the public--a rarity in crowded Tokyo. The finished structure, encased in a visually porous shell or skin, is as decorative as it is architectural--or as architectural as it is decorative--and is both metaphorically and literally linked to its surrounding environment, and to the idea of the garment. Here is the story of a theoretically and structurally complex building told lovingly and simply by its architects, through words, models, sketches, photographs and architectural renderings.