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I'm the Richest Man's Heir
I originally wanted to get along with you as an ordinary person, but you kept making things difficult for me. I'm a billionaire. I don't care how much money I spend. I can't afford to spend all of it. I never make friends to see if they have money. Do you think I'm just an unskilled rich second-generation? Hehe... I'll show you how big a dream is and how big a stage is.
The New Generation in Chinese Animation
In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shaopeng Chen examines new generation Chinese animation in its aesthetic and industrial contexts. He argues that, unlike its predecessors, this new generation does not have a distinctive national identity, but represents an important stage of diversity and exploration in the history of Chinese animation. Chen identifies distinct characteristics of new generation filmmaking, including an orientation towards young audiences and the recurring figure of the immortal monkey-like Sun Wukong. He explores how films such as Lotus Lantern/Baolian D...
I'm the Richest Man's Heir
I originally wanted to get along with you as an ordinary person, but you kept making things difficult for me. I'm a billionaire. I don't care how much money I spend. I can't afford to spend all of it. I never make friends to see if they have money. Do you think I'm just an unskilled rich second-generation? Hehe... I'll show you how big a dream is and how big a stage is.
I'm the Richest Man's Heir
I originally wanted to get along with you as an ordinary person, but you kept making things difficult for me. I'm a billionaire. I don't care how much money I spend. I can't afford to spend all of it. I never make friends to see if they have money. Do you think I'm just an unskilled rich second-generation? Hehe... I'll show you how big a dream is and how big a stage is.
I'm the Richest Man's Heir
I originally wanted to get along with you as an ordinary person, but you kept making things difficult for me. I'm a billionaire. I don't care how much money I spend. I can't afford to spend all of it. I never make friends to see if they have money. Do you think I'm just an unskilled rich second-generation? Hehe... I'll show you how big a dream is and how big a stage is.
Ancient and Early Medieval Chinese Literature (vol. 3 & 4)
At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Three contains Xia - Y. Part Four contains the Z and an extensive index to the four volumes.
A General History Of The Chinese In Singapore
A General History of the Chinese in Singapore documents over 700 years of Chinese history in Singapore, from Chinese presence in the region through the millennium-old Hokkien trading world to the waves of mass migration that came after the establishment of a British settlement, and through to the development and birth of the nation. Across 38 chapters and parts, readers are taken through the complex historical mosaic of Overseas Chinese social, economic and political activity in Singapore and the region, such as the development of maritime junk trade, plantation industries, and coolie labour, the role of different bangs, clan associations and secret societies as well as Chinese leaders, the ...
Chinese Epigraphy in Singapore, 1819–1911
The history of Singapore’s Chinese community is carved in stone and wood: in the epigraphic record of 62 Chinese temples, native-place associations, clan and guild halls, from 1819 to 1911. These materials include temple plaques, couplets, stone inscriptions, stone and bronze censers, and other inscribed objects found in these institutions. They provide first-hand historical information on the aspirations and contributions of the early generation of Chinese settlers in Singapore. Early inscriptions reveal the centrality of these institutions to Chinese life in Singapore, while later inscriptions show the many ways that these institutions have evolved over the years. Many have become deeply engaged in social welfare projects, while others have also become centers of transnational networks. These materials, available in English with Chinese translation, open a window into the world of Chinese communities in Singapore. These cultural artifacts can also be appreciated for their exceptional artistic value. They are a central part of the heritage of Singapore.
