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The author, in defining the genre of "lyrical fiction," separates a type of .fiction that can be legitimately viewed as “poetry” from other narrative types. The lyrical novelist uses fictional devices to find an aesthetic expression for experience, achieving an effect most frequently seen in dreams, picaresques, and allegories. Analyzing representative novels by Hermann Hesse, Andre Gide, and Virginia Woolf, Ralph Freedman focuses on the problem of self-consciousness. His findings are directly applicable to much twentieth-century fiction. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In this outstanding biography, Ralph Freedman traces Rilke's extraordinary career by combining detailed accounts of salient episodes from the poet's restless life with an intimate reading of the verse and prose that refract them."
With the publication of his Gedichte in November of 1902, Hermann Hesse "arrived" as a literary figure in the German-speaking world. However, relatively little is known about the years immediately preceding this breakthrough. Through a great deal of "detective" work the author has succeeded in personally locating dozens of Hesse's previously unknown letters and manuscripts. These have been skillfully interwoven in this book along with a lively and most readable account of this crucial phase of Hesse's life from ca. 1899 to 1903. During this period Hesse worked as a bookseller in Basel, where he formed important friendships and creative alliances with writers, publishers, and journalists, described here for the first time. Moreover, during those years he devoted himself almost exclusively to the composition of "neo-Romantic" poetry, most notably his Notturni, handwritten sets of eight or more poems which he sold as unique collections. Two dozen of these poems are published here for the first time in the original.
As Seen On Discovery Channel's "Street Justice: The Bronx" 2,000 arrests. 100 off-duty arrests. 6,000 assists. 15 shootings. 8 shot. 4 kills. These are not the performance statistics of an entire NYPD unit. They are the record that makes Detective 2nd Grade Ralph Friedman a legend. Friedman was arguably the toughest cop ever to wear the shield and was the most decorated detective in the NYPD’s 170-year history. Stationed at the South Bronx’s notorious 41 Precinct, known by its nickname “Fort Apache,” Friedman served during one of the city’s most dire times: the 1970s and ‘80s, when fiscal crisis, political disillusionment, an out-of-control welfare system, and surging crime and drug use were just a few of its problems. Street Warrior tells an unvarnished story of harrowing vice and heroic grit, including Friedman’s reflections on racial profiling, confrontations with the citizens he swore to protect, and the use of deadly force.
This readable, informed, and insightful book illustrates the effects Virginia Woolf's feminism had on her art. Woolf's committed feminism combined with her integrity as an artist and her ability to metamorphose ideology into art make her work particularly suitable for a study of the complex relationship of polemic to aesthetics. There is hardly a more crucial issue for the feminist artist today, who must seek a successful fusion of her principles with her art. For the student of this art Virginia Woolf and the Politics of Style provides a means to evaluate the success or failure of these strategies. While Woolf's essays reflect a strong if somewhat quirky feminism, she was highly critical of didacticism in fiction. For that reason her novels at first glance appear relatively free of polemic. Virginia Woolf and the Politics of Style reveals that her feminism is more accurately described as latent in the novels, having been merged into the aesthetic components of style, structure, point of view, and patterns of imagery.
Today Anita Desai Is Recognised For Her Originality, Versatility And The Indigenous Flavour Of Her Character-Portrayal That She Brings To Her Work. Her Women Characters Are Real Flesh And Blood Protagonists Who Make You Look At Them With Awe And With Their Relationships To Their Surroundings, Their Society, Their Men, Their Children, Their Families, Their Mental And Psychological Make-Ups And Themselves. The Present Book Purports To Be A Pioneering Attempt To Evaluate Desai S Fiction And Fictional Art From Various Points Of View And Assesses Her Contribution To The Indian-English Fiction. What Is Unique About This Book Is The Attempt To Include Desai S Complete Fictional Oeuvre From Her Maid...
What does modern British and Irish literature have to do with French impressionist painting? And what does Henry James have to do with the legal dispute between John Ruskin and J.M.W. Whistler? What links Walter Pater with Conrad's portrait of a genocidal maniac in Heart of Darkness? Or George Moore with Irish nationalism, Virginia Woolf with modern distraction, and Ford Madox Ford with the Great Depression? Adam Parkes argues that we must answer such questions if we are to appreciate the full impact of impressionist aesthetics on modern British and Irish writers. Complicating previous accounts of the influence of painting and philosophy on literary impressionism, A Sense of Shock highlights...
"A timely collection of new essays arguing for the continuing relevance and impact of Hesse's works around the world. Hermann Hesse remains one of the great figures of world literature. He is the world's 35th most translated author, with more than 1,500 translations of his works currently listed on UNESCO's Index Translatorium. Our understanding of the reciprocal transcultural reception of literature has been radically transformed in the last two decades,starting with David Damrosch's What is World Literature? (2003). Meanwhile, some forty years have passed since Martin Pfeifer's anthology Hermann Hesses weltweite Wirkung (Hermann Hesse's Worldwide Impact) was published, which means it is ti...
Rilke’s French poetry appears here for the first time in readable, musical versions. Largely unknown and rarely collected, these poems were written during the euphoria Rilke felt after having completed his greatest German works, the Duino Elegies and the Sonnets to Orpheus. At the same time, Rilke was growing increasingly ill with a rare, undiagnosed form of leukemia. He died just four short years into the production of these poems, and death appears in them as “a kindly, unfamiliar figure” to be faced with courage and surrender. Five series of poems are featured: Roses, Windows, Affectionate Tribute to France, Valaisian Quatrains, and Orchards.