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The 1859 novel tracing the life of a mulatto foundling abused by a white family in 19th century New England.
In Consuming Stories, Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artistÕs book and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of WalkerÕs production: her commitment to examining narrative depictions of race, gender, power, and desire. Consuming Stories considers WalkerÕs sustained visual engagement with literary genres such as the romance novel, the neo-slave narrative, and t...
This collection features former graduate students who speak frankly about the challenges and decisions they faced along the way to their doctorates. Peabody leaves no doubt that there are as many right ways to get through a PhD, and as many right career tracks on the other side, as there are students willing to forge their own paths.
The bespectacled, very bookish Miss Rebecca Peabody, who pens enlightening essays under the name P. Corpus, simply must marry. Since she abhors that disgusting “bedchamber business,” she decides Lord Aynsley is the perfect man to become her husband. At the advanced age of three and forty, he surely has gotten that repellant bedchamber business out of his system. For reasons quite unknown to her, he accepts her bizarre marriage proposal, though he assures her a chaste marriage is NOT what he has in mind. John Compton, the Earl of Aynsley, needs a wife to see to his brood of seven motherless children, a wastrel ward, and an uncle with a most peculiar habit. But he’s not interested in the way-too-young Miss Rebecca Peabody . . . until he discovers she is the brilliant P. Corpus who writes political essays with such passion, a passion he vows to unleash. Thus he embarks on the adventure of his life . . . that of tutoring his young wife in the ways of love.
An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that ...
John Doggett (d.1673) immigrated in 1630 from England to Watertown, Massachusetts, married twice, and died in Plymouth, Massachusetts. Descendants lived in New England, New York, Pennsylvania, Virginia and elsewhere. Some descendants immigrated to New Brunswick, Nova Scotia and elsewhere in Canada. Includes ancestors in England to the 1200s.
A cultural, military and imperial history of the Black soldiers of Britain's West India Regiments.
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