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First published in 1971, The Society of Renaissance Florence is an invaluable collection of 132 original Florentine documents dating from the fourteenth and fifteenth centuries.
By examining orthodox methods of thought in the Renaissance, the author tries to reconstruct a picture of the dominant culture of the period in England between 1580 and 1630.
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Sixteenth-century humanist Juan Luis Vives sought to find ways to alleviate the sufferings of the poor of Bruges, dealing with problems and presenting solutions that sound remarkably familiar to twentieth-century urban ears.
A Companion to the Spanish Renaissance makes a renewed case for the inclusion of Spain within broader European Renaissance movements. This interdisciplinary volume offers a snapshot of the best new work being done in this area
Dolce's Dialogo della pittura first appeared in Venice in 1557 and consists of a three-part dialogue between two Venetians, Aretino and Fabrini, on the particular merits of works of art and artists, including Michaelangelo, Raphael, and Donatello.
Review: "Conceived and produced in association with the Renaissance society of America, this work presents a panoramic view of the cultural movement and the period of history beginning in Italy from approximately 1350, broadening geographically to include the rest of Europe by the middle-to-late-15th century, and ending in the early 17th century. Each of the nearly 1,200 entries provides a learned and succinct account suitable for inquiring readers at several levels. These readable essays covering the arts and letters, in addition to everyday life, will be appreciated by general readers and high-school students. The thoughtful analyses will enlighten college students and delight scholars. A selective bibliography of primary and secondary sources for further study follows each article."--"Outstanding reference sources 2000", American Libraries, May 2000. Comp. by the Reference Sources Committee, RUSA, ALA.
Lauro Martines' exhaustive search of manuscript material in the state archives of Florence is the basis for a fascinating portrayal of representative humanists of the period. The Social World of the Florentine Humanists explores the wealth, family tradition, civic prominence, and intellectual achievements of these individuals while assessing the attitudes of other Florentines towards them. Martines demonstrates that humanists tended to be wealthy educated men from important families, challenging long-held assumptions about the status of humanisits in that society. First published in 1963, this groundbreaking study provides a detailed picture of the social structure of Florence in the Quattrocento. Martines's work influenced a generation of scholars and illuminated a complex and multifaceted world.
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Macha...
This is the first work by Giovanni Caroli (1428–1503) to appear in print. Caroli was one of the leading theologians in Florence during the last decades of the fifteenth century, a man who lived between the two great traditions of his time: the scholastic and the humanist. The volume contains a critical edition of the Latin text, entitled The Book of My Days in Lucca, an English translation, commentary notes and an introduction. Caroli presents us with his powerful personal reaction to the institutional crisis regarding the required reform in the Dominican Order, yet even here we already notice the pervasive influence of his classical education, and especially his acquaintance with authors such as Cicero, Livy, Tacitus, and especially Virgil.