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A Daily Mail Book of the Year and a The Times and Sunday Times Best Book of 2021 'Monumental.. Authoritative and highly readable.' Ben Macintyre, The Times 'A fascinating history of royal espionage.' Sunday Times 'Excellent... Compelling' Guardian For the first time, Spying and the Crown uncovers the remarkable relationship between the Royal Family and the intelligence community, from the reign of Queen Victoria to the death of Princess Diana. In an enthralling narrative, Richard J. Aldrich and Rory Cormac show how the British secret services grew out of persistent attempts to assassinate Victoria and then operated on a private and informal basis, drawing on close personal relationships betw...
14 of Richard Aldrich's key writings. Click on the link below to access this e-book. Please note that you may require an Athens account.
The second edition of Secret Intelligence: A Reader brings together key essays from the field of intelligence studies, blending classic works on concepts and approaches with more recent essays dealing with current issues and ongoing debates about the future of intelligence. Secret intelligence has never enjoyed a higher profile. The events of 9/11, the conflicts in Iraq and Afghanistan, the missing WMD controversy, public debates over prisoner interrogation, together with the revelations of figures such as Edward Snowden, recent cyber attacks and the rise of 'hybrid warfare' have all contributed to make this a ‘hot’ subject over the past two decades. Aiming to be more comprehensive than ...
For his exhibition at the Museum Dhondt-Dhaenens, Brooklyn-based artist Richard Aldrich (born 1975) presented works spanning his career, that taken together form a web of references to art history, music and autobiography. This book includes Aldrich's texts written between 2004 and 2013.
As we become ever-more aware of how our governments “eavesdrop” on our conversations, here is a gripping exploration of this unknown realm of the British secret service: Government Communication Headquarters (GCHQ).
Governments recognise that national security in the turbulent conditions of the early twenty-first century must centre on the creation of public confidence that normal life can continue even in the face of threats such as terrorism and proliferation, and of natural hazards such as pandemics and climate change. Based on his own experience in government, David Omand argues that while public security is vital for good government, the effects of bad government will result from failure to maintain the right relationship between justice, liberty, privacy, civic harmony and security measures. His book examines in detail how secret intelligence helps governments to deliver security, but also risks r...
Traversing abstraction, drawn or printed text, collage, sculptural effects and humorous figuration, the work of Richard Aldrich (born 1975) constitutes an index of possibilities in painting. Aldrich frequently integrates objects such as canvas scraps or book pages in his works, citing rather than deploying the idea of a picture plane, and also loads his works with literary and personal references. For his first solo museum exhibition at the Contemporary Art Museum St. Louis, Aldrich presents 20 large-scale works alongside paintings by Edouard Vuillard, Pierre Bonnard and the Irish portraitist Sir William Orpen, selected from the Museum's permanent collection. These three nineteenth-century artists have very little in common with Aldrich, and yet are ideally counterpointed against his paintings, refocusing the works of all four in fascinating ways. Published on the occasion of this exhibition, this volume records this exemplarily adventurous exhibition.