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Master Richard's Bestiary of Love and Response
This affordable reprint edition of the beautifully illustrated translation of Richard de Fournival's Bestiary of Love and the anonymous Response makes this medieval examination of the nature of love accessible to students and the general reader.
Le Bestiaire D'Amour
Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, ...
Beasts of Love
In Le Bestiare d'amour and the Response, a medieval chancellor's erotic bestiary to a woman is countered by the woman's passionate protest against the cleric's misogynistic presuppositions. Beer presents a close, linear reading of the two literary texts.
Shaping Courtliness in Medieval France
The question of what medieval "courtliness" was, both as a literary influence and as a historical "reality", is debated in this volume. The concept of courtliness forms the theme of this collection of essays. Focused on works written in the Francophone world between the twelfth and fifteenth centuries, they examine courtliness as both an historical privilege and aliterary ideal, and as a concept that operated on and was informed by complex social and economic realities. Several essays reveal how courtliness is subject to satire or is the subject of exhortation in works intended for noblemen and women, not to mention ambitious bourgeois. Others, more strictly literary in their focus, explore ...
Taxonomies of Knowledge
Taxonomies of Knowledge: Information and Order in Medieval Manuscripts examines the role of the manuscript book in organizing and classifying knowledge. The essays demonstrate how the technologies of the book allow scholars to determine what medieval readers and writers thought information was and how it could be transmitted to others.
French Motets in the Thirteenth Century
This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.
From Song to Book
As the visual representation of an essentially oral text, Sylvia Huot points out, the medieval illuminated manuscript has a theatrical, performative quality. She perceives the tension between implied oral performance and real visual artifact as a fundamental aspect of thirteenth- and fourteenth-century poetics. In this generously illustrated volume, Huot examines manuscript texts both from the performance-oriented lyric tradition of chanson courtoise, or courtly love lyric, and from the self-consciously literary tradition of Old French narrative poetry. She demonstrates that the evolution of the lyrical romance and dit, narrative poems which incorporate thematic and rhetorical elements of th...
Animal Skins and the Reading Self in Medieval Latin and French Bestiaries
Sarah Kay s interests in this book are, first, to examine how medieval bestiaries depict and challenge the boundary between humans and other animals; and second, to register the effects on readers of bestiaries by the simple fact that parchment, the writing support of virtually all medieval texts, is a refined form of animal skin. Surveying the most important works created from the ninth through the thirteenth centuries, Kay connects nature to behavior to Christian doctrine or moral teaching across a range of texts. As Kay shows, medieval thought (like today) was fraught with competing theories about human exceptionalism within creation. Given that medieval bestiaries involve the inscription...
Authentic Witnesses
The central theme in any history of texts and books must be that of change and renewal: Parchment that is written on, in one set of circumstances in late antiquity, may in the Early Middle Ages be scraped clean and written on again, leaving evidence of a civilization in which blank parchment is more valuable than ancient literature. A manuscript can be regarded as an archeological artifact, but unlike pieces of pottery or chips of flint, a manuscript has a voice. The 12 essays gathered here vary in subject from the transmission of ancient authors to the invention of the subject index and range in time from the Gregorian reform of the eleventh century to the Protestant reformation of the earl...
Barbarolexis
Among the topics: beach water table management, patterns of erosion, erosion protection systems, ponds and lagoons, and heavy minerals in beaches. These are selected papers from the Coastal Zone 89 symposium. Acidic paper. Leupin (French, Louisiana State) describes the variety of sexual references in such works as saints' lives, poetry, prose, romances, and epics from the 4th to the 16th century, noting the symbolic codes of theology, ethics, rhetoric, and aesthetics. Translated from French. Annotation copyrighted by Book News, Inc., Portland, OR
