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Principles of Pattern Design
"Brief, nontechnical instructions describe and illustrate each network upon which repeat patterns can be arranged, while a rich array of 280 illustrations depict historical and contemporary examples of pattern, many adapted from such diverse sources as a ancient Peruvian stone amulet, 12th-century mosaics, 13th-century damask, Japanese stencil designs, and much more. Decorative samples appear in macrame and embroidery, mosaics, painting, collage, sculpture, on wrapping paper and in other decorative art forms. A brief Vocabulary includes basic terms used to describe patterns and a concluding chaper explores the visual range of one particular motif - the Romanesque arch form."--BOOK COVER.
Pattern Design
Take any form you choose and repeat it at regular intervals, and, just as repetitive sounds produce rhythm or cadence, you have pattern. However, the use of pattern in design is no haphazard matter, but a disciplined activity in which the artists must impose a pleasing order and structure on the whole to achieve an aesthetically satisfying end product. This classic guide, revised and expanded by Amor Fenn three decades after its publication, teaches artists to do just that. Surveying a multitude of applications, from architectural detail to decorative textile printing and typographic patterns, Day provides insight into the geometric foundations of all repeating patterns, and treats in a practical way the anatomy, planning, and evolution of repeated ornament. He demonstrates the extent to which pattern is the essence of the ornamental arts, and offers a wealth of technical information for the student and designer. Generously illustrated with more than 270 designs ranging from old Japanese, Persian, and Arabian patterns to early 20th-century motifs, Pattern Design will stimulate the imaginations and advance the skills of novices and experts alike.
Surface Design for Fabric
This thoroughly revised and updated edition of Surface Design for Fabric provides an introduction to a fascinating and varied field of design; the hand application of design to the surface of fabric. Explained here are virtually all of the hand processes used to embellish or alter fabric surfaces. These include direct dyeing, liquid resists, bound resists, direct printing, stencil printing, and needlework. The authors, noted fabric designers and teachers themselves, have organized the book in such a way that it can easily be used by beginners. The presentation is primarily visual, with clear, step-by-step illustrations of each process accompanied by easy-to-follow instructions. At the end of each chapter are photographs of ethnic and contemporary designs that demonstrate the variety of possible effects. This new edition also contains vital information on the safe use of dyes, pigments, and chemical assistants.
Gender and the Great War
The centenary of the First World War in 2014-18 offers an opportunity to reflect upon the role of gender history in shaping our understanding of this pivotal international event. From the moment of its outbreak, the gendered experiences of the war have been seen by contemporary observers and postwar commentators and scholars as being especially significant for shaping how the war can and must be understood. The negotiating of ideas about gender by women and men across vast reaches of the globe characterizes this modern, instrumental conflict. Over the past twenty-five years, as the scholarship on gender and this war has grown, there has never been a forum such as the one presented here that ...
Abstract Design and How to Create It
Profusely illustrated guide covers geometric basis of design, implements and their use, borders, textile patterns, nature study, and treatment. Over 380 illustrations include historical examples from many cultures and periods.
