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Rius para principiantes
  • Language: es
  • Pages: 288

Rius para principiantes

  • Type: Book
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  • Published: 2014-07-01
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  • Publisher: GRIJALBO

La biografía del monero contada al más puro estilo Rius. La biografía del monero contada al más puro estilo Rius. Esta especie de libro se llama Rius para principiantes y trata de ser un recuento (o recuerdo, ya se me olvidó) de los primeros 40 años como caricaturista. "Parecía fácil, pero el intento de resumir en un libro 40 años en el mono o en los monos para que no suene fuerte, resultó una hazaña digna de don Hércules el trabajoso."

Rius en Política
  • Language: en
  • Pages: 170

Rius en Política

  • Type: Book
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  • Published: 1974
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  • Publisher: Unknown

description not available right now.

Mao For Beginners
  • Language: en
  • Pages: 180

Mao For Beginners

The documentary comic books of the For Beginners series deal with complex and serious subjects. They attempt to untimidate and uncomplicate the great ideas and work of great thinkers. The movements and concepts dealt with are placed in their historical, political and intellectual contexts. The books are painstakingly researched, humourouly written and enlivened with classic comic-strip illustrations, photographs, paintings, etc. The range of subjects covered is truly vast and varied Malcom X and the New Age guru Castenanda, Shakespeare and Foucault, Jewish Holocaust and Arab and Israel, Structuralism and Biology.

Not Just for Children
  • Language: en
  • Pages: 270

Not Just for Children

This pioneering study presents an overview of the Mexican comic book industry, together with in-depth studies of the best selling Mexican comic books of the 1960s and 1970s. Most of the popular superhero, adventure, humor, romance, political, detective, and Western comic books are described and analyzed in detail, and then discussed in terms of how they reflect both Mexican and United States cultures. The study concludes with a critical discussion of the media imperialism hypothesis' applicability to the Mexican comic book. The comic book is Mexico's most popular print medium, read by all ages and socio-economic groups. Many may be surprised to learn that, in Mexico, Mexican comic books far outsell U.S. comic books in Spanish translation. The Mexican comic book is not a clone of its U.S. model, but rather a hybrid product that mixes U.S. forms and conventions with Mexican content. This work is a major contribution to the understanding of contemporary Mexican culture.

The Atlantic Monthly
  • Language: en
  • Pages: 874

The Atlantic Monthly

  • Type: Book
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  • Published: 1889
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  • Publisher: Unknown

description not available right now.

Enhancing Participation in Codex Activities
  • Language: en
  • Pages: 204
Identity and History in Non-Anglophone Comics
  • Language: en
  • Pages: 300

Identity and History in Non-Anglophone Comics

  • Categories: Art

This book explores the historical and cultural significance of comics in languages other than English, examining the geographic and linguistic spheres which these comics inhabit and their contributions to comic studies and academia. The volume brings together texts across a wide range of genres, styles, and geographic locations, including the Netherlands, Colombia, Greece, Mexico, Poland, Finland, Portugal, Ireland, and the Czech Republic, among others. These works have remained out of reach for speakers of languages other than the original and do not receive the scholarly attention they deserve due to their lack of English translations. This book highlights the richness and diversity these works add to the corpus of comic art and comic studies that Anglophone comics scholars can access to broaden the collective perspective of the field and forge links across regions, genres, and comic traditions. Part of the Global Perspectives in Comics Studies series, this volume spans continents and languages. It will be of interest to researchers and students of comics studies, literature, cultural studies, popular culture, art and design, illustration, history, film studies, and sociology.

The Hidden Side of the Creative City
  • Language: en
  • Pages: 227

The Hidden Side of the Creative City

This book analyses issues related to the political use and economical misappropriation of urban cultural events, cultural infrastructures, public resources, and cultural traditions in the city of Valencia, Spain. It deals critically with a variety of sociological questions related to cultural production in the city, including geographical segregation as culturally defined in the city; misogyny and the peripheral role of women in traditional cultural events, xenophobia; and nationalism/regionalism. As such, the book will be useful to students and scholars of sociology of the arts, cultural policy, and museum management, and urban sociology.

Acts: An Exegetical Commentary : Volume 3
  • Language: en
  • Pages: 4333

Acts: An Exegetical Commentary : Volume 3

Highly respected New Testament scholar Craig Keener is known for his meticulous and comprehensive research. This commentary on Acts, his magnum opus, may be the largest and most thoroughly documented Acts commentary available. Useful not only for the study of Acts but also early Christianity, this work sets Acts in its first-century context. In this volume, the third of four, Keener continues his detailed exegesis of Acts, utilizing an unparalleled range of ancient sources and offering a wealth of fresh insights. This magisterial commentary will be an invaluable resource for New Testament professors and students, pastors, Acts scholars, and libraries.

El Ja-já de Rius
  • Language: es
  • Pages: 195

El Ja-já de Rius

  • Type: Book
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  • Published: 2024-05-16
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  • Publisher: GRIJALBO

¡Dibujos nunca antes vistos! Presentaciones de Sergio Aragonés y Ariel Rosales «Eduardo del Río, Rius, logró con su trabajo lo que ningún otro dibujante de humor en el mundo entero ha logrado: ser la voz de su país natal desenmascarando falsedades con su fino sentido del humor y sus consejos. Mi amigo, monero y maestro.» - Sergio Aragonés «Este chiste mudo, como tantos otros que aparecen en El Ja-já de Rius, de acuerdo con la teoría de Chesterton, no son sino "la locura con la locura como objetivo, como se dice del arte por el arte, o más propiamente de la belleza por la belleza". Agrega el escritor inglés –él mismo un gran humorista– que: "[los nonsense] no sirven a ning�...