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From the reign of the Tsars in the early 19th century to the collapse of the Soviet Union and beyond, the short story has long occupied a central place in Russian culture. Included are pieces from many of the acknowledged masters of Russian literature - including Pushkin, Turgenev, Dostoyevsky, Tolstoy, and Solzhenitsyn - alongside tales by long-suppressed figures such as the subversive Kryzhanowsky and the surrealist Shalamov. Whether written in reaction to the cruelty of the bourgeoisie, the bureaucracy of communism or the torture of the prison camps, they offer a wonderfully wide-ranging and exciting representation of one of the most vital and enduring forms of Russian literature.
Grafton Tyler Brown—whose heritage was likely one-eighth African American—finessed his way through San Francisco society by passing for white. Working in an environment hostile to African American achievement, Brown became a successful commercial artist and businessman in the rough-and-tumble gold rush era and the years after the Civil War. Best known for his bird’s-eye cityscapes, he also produced and published maps, charts, and business documents, and he illustrated books, sheet music, advertisements, and labels for cans and other packaging. This biography by a distinguished California historian gives an underappreciated artist and his work recognition long overdue. Focusing on Graft...
An enchanting collection of the very best of Russian poetry, edited by acclaimed translator Robert Chandler together with poets Boris Dralyuk and Irina Mashinski. In the late eighteenth and early nineteenth centuries, poetry's pre-eminence in Russia was unchallenged, with Pushkin and his contemporaries ushering in the 'Golden Age' of Russian literature. Prose briefly gained the high ground in the second half of the nineteenth century, but poetry again became dominant in the 'Silver Age' (the early twentieth century), when belief in reason and progress yielded once more to a more magical view of the world. During the Soviet era, poetry became a dangerous, subversive activity; nevertheless, po...
America is at war and the stakes are huge. The fight isn't just in Iraq and Afghanistan; it's a global contest between the United States, radical Islam, a resurgent Russia, and a virulent New Left coming to power in Latin America and stalking the corridors of power around the world. These three enemies of America are separate, but still cooperate -- and in his stunning new book, Shadow World, Robert Chandler shows how.
An enthralling, elegant, emotional account of a journey into exile, by the wonderful Teffi Moscow, 1918. Following the Revolution, people are leaving the city in droves - bound for the Black Sea, and from there to Europe and beyond. In late autumn, the celebrated writer Teffi is invited on a reading tour; having elegantly navigated the bureaucratic waters for her visa, she spends the winter travelling from Moscow to Kiev, and from there to Odessa and on to Novorossisk, first by train and then by ship. On the shores of the Black Sea, as Spring arrives, Teffi is advised to go abroad for a time, until things have settled down in Russia. She reluctantly agrees, not fully realising that this woul...
Written at the height of Stalin's first "five-year plan" for the industrialization of Soviet Russia and the parallel campaign to collectivize Soviet agriculture, Andrei Platonov's The Foundation Pit registers a dissonant mixture of utopian longings and despair. Furthermore, it provides essential background to Platonov's parody of the mainstream Soviet "production" novel, which is widely recognized as one of the masterpieces of twentieth-century Russian prose. In addition to an overview of the work's key themes, it discusses their place within Platonov's oeuvre as a whole, his troubled relations with literary officialdom, the work's ideological and political background, and key critical responses since the work's first publication in the West in 1973.
Masterful stories of faith and superstition from a much-loved Russian author, in English for the first time 'A magnificent edition of the works of a writer who deserves her seat at the top table of Russian authors' Sara Wheeler, Wall Street Journal These stories conjure a vanished Russia, where Orthodox Christianity coexists with the shapeshifters and house spirits of ancient folk belief. Celebrated for her sublime wit and graceful style, Teffi here plumbs the darker aspects of psychology, infusing tales of domestic conflict with the occult spirituality that thrived in the country of her youth. A young girl, haunted by the sinister sound of a church bell, resolves to become first a brigand, then a saint. A reluctant participant in a pilgrimage to the Solovetsky Islands has a shatteringly profound experience. A recently married couple's relationship becomes strained as they each silently nurse the fear that their maid is a witch. By turns playful and profound, solemn and drily sceptical, these tales of other worlds precisely illuminate human desires, fears and failings.
'One of the great novels of the 20th century' Observer In April 1942, Hitler and Mussolini plan the huge offensive on the Eastern Front that will culminate in the greatest battle in human history. Hundreds of miles away, Pyotr Vavilov receives his call-up papers and spends a final night with his wife and children in the hut that is his home. As war approaches, the Shaposhnikov family gathers for a meal: despite her age, Alexandra will soon become a refugee; Tolya will enlist in the reserves; Vera, a nurse, will fall in love with a wounded pilot; and Viktor Shtrum will receive a letter from his doomed mother which will haunt him forever. The war will consume the lives of a huge cast of charac...
'Everything Flows is as important a novel as anything written by Solzhenitsyn, and Robert Chandler's superb translation makes it a joy to read' Antony Beevor Ivan Grigoryevich has been in the Gulag for thirty years. Released after Stalin's death, he finds that the years of terror have imposed a collective moral slavery. He must struggle to find a place for himself in an unfamiliar world. Grossman tells the stories of those people entwined with Ivan's fate: his cousin Nikolay, a scientist who never let his conscience interfere with his career, Pinegin, the informer who had Ivan sent to the camps and Anna Sergeyevna, Ivan's lover, who tells of her involvement as an activist in the Terror famine of 1932-3. Everything Flows is Vasily Grossman's final testament, written after the Soviet authorities suppressed Life and Fate. 'Vasily Grossman is the Tolstoy of the USSR' Martin Amis
'She turned into a frog, into a lizard, into all kinds of other reptiles and then into a spindle' In these tales, young women go on long and difficult quests, wicked stepmothers turn children into geese and tsars ask dangerous riddles, with help or hindrance from magical dolls, cannibal witches, talking skulls, stolen wives, and brothers disguised as wise birds. Half the tales here are true oral tales, collected by folklorists during the last two centuries, while the others are reworkings of oral tales by four great Russian writers: Alexander Pushkin, Nadezhda Teffi, Pavel Bazhov and Andrey Platonov. In his introduction to these new translations, Robert Chandler writes about the primitive magic inherent in these tales and the taboos around them, while in the afterword, Sibelan Forrester discusses the witch Baba Yaga. This edition also includes an appendix, bibliography and notes. Translated by Robert Chandler and Elizabeth Chandler With Sibelan Forrester, Anna Gunin and Olga Meerson