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BEHIND THE ALTAR by Robert Henman Xlibris Publishing 2008 ISBN 978-1-4363-2487-8 This is a work of fiction reflecting on the role of contemporary institutional religions in the modern world. Over the past 500 years science has emerged as a challenge to contemporary religions that have their origins in the mythical and classical consciousness of the past 3000 years. Those modes of consciousness have collapsed into an eclectic mix of consciousness. Do traditional forms of religion have a role in the future of humanity? This story, based on the authors 24 year experience of working in pastoral and educational positions with the Roman Catholic Church, attempts to raise this question. It challeng...
The three articles printed here point towards the need for a form of collaboration that is presently inoperative in neuroscience and is not functioning in the current sciences at all. The New Science is a division of labor and tasks that has the potential to increase the probabilities of cumulative and progressive results.
There is a growing interest in the character and the challenge of the Anthropocene. Although efforts to pin down beginning dates of this epoch have been debated, there is a broad consensus that humanity is facing an unprecedented challenge to surviving on Earth, a challenge which humans have created ourselves. Undeniably, we have had and continue to have impacts on the planet as a whole. These include ravaging bushfires and unprecedented flooding caused by climate change, spiking levels of carbon dioxide levels, and widespread loss of biodiversity. The challenge has been expressed in various ways: the larger challenges of climate change or ocean garbage toxicity, the subtler challenges that ...
As can beseen from this volume, the Australian Lonergan Workshop aims to encourage a diversity of contributions from across many disciplines and fields, from emerging young voices and those who continually value Lonergan's work to inform, to bring to birth insights stirred by what Frederick Crowe, sj, called 'a profundity we have dimly glimpsed in Lonergan's work; we have a sense of an enormous potential to develop.' The result is a collection ranging from the eclectic, stirring and practical, to the richly theological, and scholarly. Nonetheless, each contribution adds to the valuable ongoing exploration of ideas necessary for conversation and progress. To this end, the Australian Lonergan Workshop while a modest publication, remains an invaluable vehicle for developing Lonergan scholarship in Oceania.
In Randomness, Statistics, and Emergence, McShane illustrates how classical and statistical procedures complement one another. One of the conclusions he draws in Randomness is that emergence and evolution are explained in terms of probabilities of emergence and probabilities of survival of recurrence-schemes. To arrive at a principle of emergence, McShane focuses on actual procedures of empirical investigators and the type of explanation they seek. Those doing the relevant sciences—biophysics and biochemistry are his focus in the last four chapters—can verify objective randomness and emergence by attending to their performance. McShane also makes beginnings in heuristics of biological and scientific growth and development. The first edition of this book was first published in 1970. The second edition includes a second preface, “The Riverrun to God,” written by McShane in the fall of 2012. It also includes an editor’s introduction written by Terrance Quinn, author of Invitation to Generalized Empirical Method in Philosophy and Science and The (Pre-) Dawning of Functional Specialization in Physics.
Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
The story of Africa is a ghost story with two plots. One is foreign or imported and the other indigenous or local. The foreign plot has its origin in colonial history. The indigenous plot is African in origin. But both plots end in the same place: African trauma and culture complex. These narratives create in modern Africa a splintered consciousness and the political and economic conditions that lead to physical and psychological violence. Unmasking the African Ghost is both a theological exploration of the reasons the political and economic systems in African countries have failed and a proposal for the paths toward recovery, anchored in the belief that Africa is a continent continuously tr...
Seeding Global Collaboration presents essays written for “Functional Collaboration in the Academy,” a conference held at the University of British Columbia, in July, 2014. The essays attempt to explore and advance Bernard Lonergan’s central achievement, a revolutionary method for collaborative inquiry relevant to both the natural sciences and the human sciences. Each essay is an exercise focusing on a specific collaborative task in a particular area of interest. These range from research in neuroscience to interpreting space and time, from forging new housing policies and communicating macroeconomic dynamics to performing distinct collaborative tasks as part of a unified process of caring for ecosystems. The essays attempt to illustrate the power of the method. But they also seek to seed a new ethos of efficient collaboration and effective meaning. Functional collaboration amounts to a novum organon for scientific and academic inquiry, one potentially capable of meeting the daunting problems and global challenges of our time.
Presents an introduction to the basis of economic analysis that is absent from academic and political discourse, and thus absent from economic practice. The second part identifies collaboration that could increase the probabilities of sane economics becoming a part of discourse and practice.