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In the Company of Demons
Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates.But with In the Company of Demons, the world’s leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies. Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesc...
The Anatomy of Myth
The Anatomy of Myth is a comprehensive study of the methods of interpreting authoritative myths from the Presocratic philosophers to the Neoplatonists and their adoption by the Church Fathers.
Plutarch
Written around the year 100, Plutarch's Lives have shaped perceptions of the accomplishments of the ancient Greeks and Romans for nearly two thousand years. This engaging and stimulating book introduces both general readers and students to Plutarch's own life and work. Robert Lamberton sketches the cultural context in which Plutarch worked--Greece under Roman rule--and discusses his family relationships, background, education, and political career. There are two sides to Plutarch: the most widely read source on Greek and Roman history and the educator whose philosophical and pedagogical concerns are preserved in the vast collection of essays and dialogues known as the Moralia. Lamberton analyzes these neglected writings, arguing that we must look here for Plutarch's deepest commitment as a writer and for the heart of his accomplishment. Lamberton also explores the connection between biography and historiography and shows how Plutarch's parallel biographies served the continuing process of cultural accommodation between Greeks and Romans in the Roman Empire. He concludes by discussing Plutarch's influence and reputation through the ages.
Homer's Ancient Readers
Although the influence of Homer on Western literature has long commanded critical attention, little has been written on how various generations of readers have found menaing in his texts. These seven essays explore the ways in which the Illiad and the Odyssey have been read from the time of Homer through the Renaissance. By asking what questions early readers expected the texts to answer and looking at how these expectations changed over time, the authors clarify the position of the Illiad and the Odyssey in the intellectual world of antiqueity while offering historical insight into the nature of reading. The collection surveys the entire field of preserved ancient interpretations of Homer, ...
The Jewish Community of West Philadelphia
The Jewish Community of West Philadelphia portrays Jewish life throughout West Philadelphia in the mid-twentieth century, including rare and vintage photographs. The Jewish community of Philadelphia west of the Schuylkill River is a composite of seven distinct neighborhoods surrounding West Philadelphia proper. These include Fortieth and Girard, Parkside, Wynnefield, Overbrook Park, Wynnefield Heights, Southwest Philly, and Island Road. A gathering of seventy-five thousand Jewish people in West Philadelphia during the twentieth century qualified the area known as "a city within a city" as a second settlement area. Excellent public transportation included the famed Market Street Elevated. The...
Homer the Theologian
Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante.
