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América invertida introduces twenty-two Uruguayan poets under the age of forty to English-speaking audiences for the first time. Kercheval paired poets and translators to produce a rich volume based on a multicultural dialogue about poetry and the written word. América invertida presents Spanish poems and their English translations side by side to give readers an introduction to Uruguay's vibrant literary scene.
The official Journal of the John Clare Society, published annually to reflect the interest in, and approaches to, the life and work of the poet John Clare. 2017.
Rafael Català and James Anderson have prepared this concise reference that provides access to poems from a broad cross section of poetry, literary, scholarly, popular, and general magazines, journals, and reviews published in the United States, Canada, and the Caribbean. These periodicals are listed in the "Periodicals Indexed" section, together with names of editors, addresses, issues indexed in this volume, and subscription information. Selection of periodicals is the responsibility of the editors, based on recommendations of poets, librarians, literary scholars, and publishers. Publishers participate by supplying copies of all issues to the editors. Criteria for inclusion include the qua...
"Ron Salutsky takes his readers from the deepest memories of childhood to the edge of our loneliest moments when the stars bloom in the night sky, and the trees and wind tell us their secrets. This is a world in motion, a world filled with goodbyes. Cars travel deserted highways, and we witness acts that he translates into poems of arching bravura. This is a deeply felt and moving debut collection." - Barbara Hamby, author of All-Night Lingo Tanto
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In this remarkable debut, which marks the beginning of Multiverse—a literary series written and curated by the neurodivergent¬—Hannah Emerson’s poems keep, dream, bring, please, grownd, sing, kiss, and listen. They move with and within the beautiful nothing (“of buzzing light”) from which, as she elaborates, everything jumps. In language that is both bracingly new and embracingly intimate, Emerson invites us to “dive down to the beautiful muck that helps you get that the world was made from the garbage at the bottom of the universe that was boiling over with joy that wanted to become you you you yes yes yes.” These poems are encounters—animal, vegetal, elemental—that form ...