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Studio Shakespeare
An extensive history of The Royal Shakespeare Company's studio theatre, Studio Shakespeare: The Royal Shakespeare Company at The Other Place also includes a biography of its founder and first artistic director, Mary Ann 'Buzz' Goodbody (1947-75). Alycia Smith-Howard reveals how, as a socialist, feminist, and the RSC's first female director, Goodbody sought to invigorate classical theatre and its approach to producing the works of Shakespeare. The Other Place, which opened its doors in 1973, was her greatest achievement, and was, in the words of Ron Daniels of the American Repertory Theatre, 'a training ground for an entire generation of Shakespeare actors and directors'. The volume examines ...
Inside the Royal Shakespeare Company
This is the inside story of the Royal Shakespeare Company - a running historical critique of a major national institution and its location within British culture, as related by a writer who is uniquely placed to tell the tale. It describes what happened to a radical theatrical vision and explores British society's inability to sustain that vision. Spanning four decades and four artistic directors, Inside the Royal Shakespeare Company is a multi-layered chronicle that traces the company's history, offers investigation into its working methods, its repertoire, its people and its politics, and considers what the future holds for this bastion of high culture now in crisis. Inside the Royal Shakespeare Company is compelling reading for anyone who wishes to explore behind the scenes and consider the changing role of theatre in modern cultural life. It offers a timely analysis of the fight for creative expression within any artistic or cultural organisation, and a vital document of our times.
The RSC Shakespeare Toolkit for Teachers
Developed by one of the world's leading theatre companies, this resource offers teachers a practical drama-based approach to teaching and appreciating three of Shakespeare's most popular plays: Romeo and Juliet, Macbeth, and A Midsummer Night's Dream.Drama-based exploration of the text for pupilsTeacher's notes and photocopiable worksheets for a lesson-by-lesson routeAlso works as a dip in resourceFlexible ideas for use with current teachingMapped to KS3 Framework for English and KS2 Primary Framework for LiteracyCD contains printable digital versions
The Royal Shakespeare Company
Chronicles the life of that theatre and its acting companies from the time when they were regarded as worthy provinials to the present day when they have become internationally celebrated as one of the great acting companies of the world.
The RSC Shakespeare: The Complete Works
"The text of any Shakespeare play is a living negotiable entity: scholarship and theatre practice work together to keep the plays alive and vividly present." – Greg Doran, RSC Artistic Director Emeritus Developed in partnership with the Royal Shakespeare Company, this Complete Works of William Shakespeare combines exemplary textual scholarship with beautiful design. Curated by expert editors Sir Jonathan Bate and Professor Eric Rasmussen, the text in this collection is based on the iconic 1623 First Folio: the first and original Complete Works lovingly assembled by Shakespeare's fellow actors, and the version of Shakespeare's text preferred by many actors and directors today. This stunning...
A Royal Shakespeare Company Book
This book tells the story of the Royal Shakespeare Company in three parts - a history of the RSC, from the establishment of the Stratford theatre to the present day; a biographical dictionary; and a source book.
The Mirror and the Light: RSC Stage Adaptation
Hilary Mantel and Ben Miles’ exhilerating stage adaptation of The Mirror and the Light, one of 2021’s must-see theatrical events, and the long awaited conclusion to the Oliver Award-winning Wolf Hall Trilogy.
Kunene and the King
'What lies beneath the apparent simplicity of Kunene and the King is a lot of moral, political and existential depth. This is testimony to the brilliance of John Kani.' – EUSEBIUS McKAISER South Africa, 2019. Twenty-five years since the first post-apartheid democratic elections. Jack Morris is a celebrated classical actor who has just been given a career-defining role and a life-changing diagnosis. Lunga Kunene is a retired senior male nurse from Soweto now working for private patients. Besides their age, they appear not to have much in common. But a shared passion for Shakespeare soon ignites a 'rich, raw and shattering head-to-head' (The Times) as the duet from contrasting walks of life unpack the racial, political and social complexities of modern South Africa. Kunene and the King is a vital play that combines the magnificence of classic Shakespearean comedy, tragedy and history to reflect on a new yet deeply wounded society.
The Seven Acts of Mercy
You have to be tough to be kind. That's what I've learned from you, Granddad. Tough and fearless and strong. So that's what I'm going to be. Naples, 1606. Inside an unfinished church, a painting is emerging from the darkness. The Seven Acts of Mercy is Caravaggio's masterpiece - and his first painting since he killed a man and fled Rome. As the artist works, he is fueled by anger, self-loathing and his driving need to create a work that speaks of compassion in a violent world. Bootle, the present day. A retired dock worker teaches his grandson, as around them a community is disintegrating under the pressure of years of economic and political degradation. With all he has left, a book of great works of art, he tries to open the boy's eyes to the tragedy and beauty of the life he faces. And the boy reciprocates in the only way he knows. Playing out across a gap of 400 years, Anders Lustgarten's visceral play confronts the dangerous necessity of compassion, in a world where it is in short supply. The Seven Acts of Mercy received its world premiere at the Swan Theatre, RSC, on 24 November 2016.
I, Cinna (The Poet)
I, Cinna (The Poet) has one short scene in Shakespeare’s Julius Caesar where he is mistaken for someone else and killed by the mob. Now, in a new play by Tim Crouch, this unlucky man is given a chance to tell his story. Written for ages 11+, I, Cinna (The Poet) is a fusion of theatre, multimedia and creative writing tasks. Cinna asks his young audience to consider the relationship between words and actions, art and politics, self and society. During the performance he asks us to write alongside him: a small poem on a big theme. Originally commissioned for the World Shakespeare Festival which is produced by the Royal Shakespeare Company for London 2012 Festival. Shortlisted for the Writers' Guild Award for Theatre Play for Young People 2013.
