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"Promey's book is a penetrating analysis of Shaker art.... The book is a gem, a true advance in Shaker studies, art history, religious history, and cultural history. Highly recommended." -- Choice "... a very intelligent and articulate... treatment of a stunning set of message-images." -- Art Bulletin "This book is a pleasure to look at and to read." -- Religious Studies Review "[A] fascinating investigation into another world. The Shaker spirit drawings... offer clues into a remarkable moment of American life, as well as an opportunity to rethink just how the visual arts, religious revitalizations, and social memory relate to one another.... [A] model study: clear, absorbing, and significan...
The result of a collaborative, multiyear project, this groundbreaking book explores the interpretive worlds that inform religious practice and derive from sensory phenomena. Under the rubric of "making sense," the studies assembled here ask, How have people used and valued sensory data? How have they shaped their material and immaterial worlds to encourage or discourage certain kinds or patterns of sensory experience? How have they framed the sensual capacities of images and objects to license a range of behaviors, including iconoclasm, censorship, and accusations of blasphemy or sacrilege? Exposing the dematerialization of religion embedded in secularization theory, editor Sally Promey proposes a fundamental reorientation in understanding the personal, social, political, and cultural work accomplished in religion’s sensory and material practice. Sensational Religion refocuses scholarly attention on the robust material entanglements often discounted by modernity’s metaphysic and on their inextricable connections to human bodies, behaviors, affects, and beliefs.
Highly celebrated in its day, with individual panels retaining immense popularity even in the years of discord, this artistic project and its constituent images tell us much about broad cultural and political exchanges concerning the public representation of religious content in the United States."--BOOK JACKET.
Religious liberalism in America has often been equated with an ecumenical Protestant establishment. By contrast, American Religious Liberalism draws attention to the broad diversity of liberal cultures that shapes America's religious movements. The essays gathered here push beyond familiar tropes and boundaries to interrogate religious liberalism's dense cultural leanings by looking at spirituality in the arts, the politics and piety of religious cosmopolitanism, and the interaction between liberal religion and liberal secularism. Readers will find a kaleidoscopic view of many of the progressive strands of America's religious past and present in this richly provocative volume.
From the founding of the first colonies until the present, the influence of Christianity, as the dominant faith in American society, has extended far beyond church pews into the wider culture. Yet, at the same time, Christians in the United States have disagreed sharply about the meaning of their shared tradition, and, divided by denominational affiliation, race, and ethnicity, they have taken stances on every side of contested public issues from slavery to women's rights. This volume of twenty-two original essays, contributed by a group of prominent thinkers in American religious studies, provides a sophisticated understanding of both the diversity and the alliances among Christianities in ...
Despite the fact that Christianity is understood to be thoroughly intertwined with matter, objects, and things, Christians struggle to cope with this materiality in their daily lives. This volume argues that the ambivalent relationships many Christians have with materiality is a driving force that contributes to the way people in different Christian traditions and in different parts of the world understand and live out their religion. By placing the questions of limits and boundary-work to the fore, the volume addresses the question of exactly how Christianity takes place materially, addressing a gap in studies to date. Christianity and the Limits of Materiality presents ground-breaking rese...
This volume includes an introduction and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on religion and art including Thierry De Duve, Georges Didi-Huberman, Gerhard Wolff, Jack Caputo and Jean-Luc Marion.
Have you ever thought about dependencies in Asian art and architecture? Most people would probably assume that the arts are free and that creativity and ingenuity function outside of such reliances. However, the 13 chapters provided by specialists in the fields of Asian art and architecture in this volume show, that those active in the visual arts and the built environment operate in an area of strict relations of often extreme dependences. Material artefacts and edifices are dependent on the climate in which they have been created, on the availability of resources for their production, on social and religious traditions, which may be oral or written down and on donors, patrons and the art m...
Building from a range of essays representing multiple fields of expertise and traversing multiple religious traditions, this important text provides analytic rigor to a question now pressing the academic study of religion: what is the relationship between the material and the digital? Its chapters address a range of processes of mediation between the digital and the material from a variety of perspectives and sub-disciplines within the field of religion in order to theorize the implications of these two turns in scholarship, offer case studies in methodology, and reflect on various tools and processes. Authors attend to religious practices and the internet, digital archives of religion, deco...
This volume contributes towards to developments in the study of religion that illuminate the plural nature of religious change in modern Britain. It makes a critical intervention in British studies of religion by bringing the analytical insights of material culture, to bear on religion in the British World.