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Godspell
(Easy Piano Songbook). 11 vocal selections from this timeless musical, including: All Good Gifts * Bless the Lord * By My Side * Day by Day * Light of the World * Prepare Ye (The Way of the Lord) * Turn Back, O Man * and more.
Fixing the Musical
Thousands of shows have opened on Broadway. Why do we remember some and not others? The musical theatre repertory is not composed of titles popular in the theatre but by those with successful cast recordings, movie versions, or even illegal bootlegs on YouTube. The shows audiences know, and the texts and music they expect to hear when they attend a production, are defined by media consumed at home more than by memories of performances witnessed in the theatre. For example, author Doug Reside shows that it is no accident that the serious book musical with a fixed score developed in the 1940s - when commercially pressed and marketed record albums made it possible to record most of the score of...
Sex on Stage
In the years just after World War II, theater provided an important critique of British society’s engagement with gender and sexual politics. Sex on Stage examines how British playwrights, actors, and directors brought women’s sexuality and gay and lesbian issues to the cutting edge of drama after World War II. Through a close reading of playwrights such as John Osborne, Harold Pinter, and Terence Rattigan, alongside accounts of their sociopolitical context and public reception, Andrew Wyllie reveals that this more progressive age was also one of reactionary statements and industry-wide anxiety.
Made-Up Asians
Made-Up Asians traces the history of yellowface, the theatrical convention of non-Asian actors putting on makeup and costume to look East Asian. Using specific case studies from European and U.S. theater, race science, and early film, Esther Kim Lee traces the development of yellowface in the U.S. context during the Exclusion Era (1862–1940), when Asians faced legal and cultural exclusion from immigration and citizenship. These caricatured, distorted, and misrepresented versions of Asians took the place of excluded Asians on theatrical stages and cinema screens. The book examines a wide-ranging set of primary sources, including makeup guidebooks, play catalogs, advertisements, biographies, and backstage anecdotes, providing new ways of understanding and categorizing yellowface as theatrical practice and historical subject. Made-Up Asians also shows how lingering effects of Asian exclusionary laws can still be seen in yellowface performances, casting practices, and anti-Asian violence into the 21st century.
The Guide to Selecting Plays for Performance
This guide contains cast and story details of around 2000 plays which Samuel French Ltd has available for amateur performance within the British Isles. The plays are arranged in four sections - full length, one act and revue sketches, pantomimes and seasonal plays - and the titles are indexed according to the number of characters and period and/or type of play to help companies choose a play for production.
From Journey's End to The Dam Busters
Kingston playwright R.C. Sherriff came to fame with his First World War drama Journeys End, which was based on his own experiences as a young officer on the Western Front. Its success made him a household name and opened the door to a highly lucrative career as a novelist, playwright and screenwriter in Hollywood and in Britain. Many of his movies The Invisible Man, Goodbye Mr Chips, The Four Feathers Odd Man Out, Quartet, and, of course, The Dam Busters are still well known, but the man behind them much less so. This book rediscovers Sherriff using his own words his letters, diaries, published and unpublished manuscripts to shed light on a man who ironically gained his greatest success from the trench warfare he found so difficult to bear.
French's Acting Edition of Plays, Dramas, Extravaganzas, Farces ...
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Catalogue of Title Entries of Books and Other Articles Entered in the Office of the Register of Copyrights, Library of Congress, at Washington, D.C.
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