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The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia. In Sanja Iveković's Triangle (Trokut, 1979), four black-and-white photographs and written text capture an eighteen-minute performance from May 10, 1979. On that date, a motorcade carrying Josip Broz Tito, then president of Yugoslavia, drove through the streets of downtown Zagreb. As the President's limousine passed beneath her apartment, Ivokevic began simulating masturbation on her balcony. Although she could not be seen from the street, she knew that the surveillance teams on the roofs of neighboring buildings would detect her presence. Within minutes, a policeman appeare...
This exhibition brings together a historic group of single-channel videos and media installations and over a hundred photomonages.
The first sustained examination of a canonical and widely exhibited work by a leading artist of the former Yugoslavia.
This book offers an almost complete overview of Sanja Ivekovic's (born in Zagreb, 1949) projects created between 1970 and 2007, many unpublished until now. Each project is documented with images and a brief descriptive text. Five brief analytical essays help to explore her biographical and artistic profile.
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Coining the term "Jugoslovenka" to designate the unique history of Yugoslav women's resistance to patriarchy during and after socialism, this book shows how Yugoslavia's anti-fascist, transnational and feminist legacies manifest in performance, conceptual, video and activist works.