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A Political Biography of Sarah Fielding
Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- 1 The making of a novelist -- 2 Her own story, The Adventures of David Simple -- 3 Familiar Letters between the Principal Characters of David Simple -- 4 The Governess, a new experiment in fiction -- 5 Forays into literary criticism -- 6 David Simple, Volume the Last -- 7 Collaboration and innovation, The Cry -- 8 The Lives of Cleopatra and Octavia -- 9 The History of the Countess of Dellwyn -- Conclusion -- Works cited -- Index
The Governess
The Governess, or The Little Female Academy is a book about a boarding school run by Mrs Teachum.[3] The story takes place over ten days, not including some initial background information, and an epilogue. On each day, except for the first, all or part of a text is read aloud to the students by Miss Jenny Peace. Afterward, one or more of the pupils is physically described, followed by the recording their life story. These are written so as to appear to have been spoken by each respective girl, and recorded by Miss Jenny. Each session of reading is capped by an appearance from Mrs Teachum, who explains the lesson that should be taken from each experience. Much emphasis is given to the importance of reading and to reflecting on the reading.
The Adventures of David Simple ... By a Lady [i.e. Sarah Fielding] ... A New Edition, Revised and Corrected. With a Preface by Henry Fielding
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The History of the Countess of Dellwyn
Sarah Fielding was one of the most respected women authors of her generation and a key figure in the development of the novel. She was admired especially by Samuel Richardson, who famously commented that her 'knowledge of the human heart' was greater than that of her brother, the novelist Henry Fielding. This edition revives The Countess of Dellwyn, the only one of Sarah Fielding's major works not previously available in a modern scholarly edition. The novel is satirical and didactic, taking as its targets fashionable life and modern marriage (and scandalous divorce) and narrated with acerbic wit by its anonymous third-person narrator. This edition benefits greatly from Gillian Skinner's editorial work and it is a book that will be of great interest to researchers into the eighteenth-century novel and women's writing of the period worldwide.
An Essay on the Art of Ingeniously Tormenting
Perhaps the first extended non-fiction prose satire written by an English woman, Jane Collier’s An Essay on the Art of Ingeniously Tormenting (1753) is a wickedly satirical send-up of eighteenth-century advice manuals and educational tracts. It takes the form of a mock advice manual in which the speaker instructs her readers in the arts of tormenting, offering advice on how to torment servants, humble companions and spouses, and on how to bring one’s children up to be a torment to others. The work’s satirical style, which focuses on the different kinds of power that individuals exercise over one another, follows in the footsteps of Jonathan Swift and paves the way for Jane Austen. This Broadview edition uses the first edition, the only edition published during the author’s lifetime. The appendices include excerpts from texts that influenced the essay (by Sarah Fielding, Jonathan Swift, Francis Coventry); excerpts from later texts that were influenced by it (by Maria Edgeworth, Frances Burney, Jane Austen); and relevant writings on education and conduct (by John Locke, George Savile, Dr. John Gregory).
