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Models, spies and lipstick gadgets... When Jessica's father, a former spy, vanishes mysteriously, Jessica takes matters into her own hands. She's not just a daddy's girl who's good at striking a pose; she's a trained spook who knows how to take on MI6 and beat them at their own game.
The Broadway Song is a practical repertoire guide based on 100 classic songs from the Great White Way. It gives performers a way into their characters through the formal song characteristics, as well as larger contextual materials about the source -- from background to the musical, information about the character singing, and synoptic narrative information for the song.
A reference for high school theatre teachers covering both curricular and extracurricular problems – everything from how to craft a syllabus for a theatre class to what to say to parents about a student's participation in a school play.
THE WOMAN HE COULDN'T REMEMBER Not long ago, Justin Hallwood had been a hard-driving, big-city executive. Now he was inexplicably drawn to the little village of Haven—especially to Sarah Conroy, a lovely single mother with an adorable baby son. What hold did she have on him? THE MAN SHE SHOULDN'T FORGET Once, Sarah thought that she and Justin would be together always. Then she'd announced her pregnancy, and he was gone. Two years later he was back—with no memory of their shared past. Sarah knew that Justin was so close to remembering—but if he did, would it mean that Justin would be lost to her again…this time forever?
Includes the plays: Give Up! Start Over! (In the darkest of times I look to Richard Nixon for hope); A Thousand Natural Shocks; Particularly in the Heartland; Architecting; Mission Drift. Founded in 2004, the TEAM is an internationally-acclaimed Brooklyn-based collaborative ensemble. Once described as “Gertrude Stein meets MTV,” the TEAM's mission is to make new work about the experience of living in America today. Released in celebration of the company's 10th anniversary, Five Plays by the TEAM includes a timeline of events, exclusive production and rehearsal images, personal introductions to the plays by members of the company, and a foreword by John Tiffany (Blackwatch, Once).
Over the past half-century Doctor Who has defined science fiction television. The women in the series--from orphans and heroic mothers to seductresses and clever teachers--flourish in their roles yet rarely surmount them. Some companions rescue the Doctor and charm viewers with their technical brilliance, while others only scream for rescue. The villainesses dazzle with their cruelty, from the Rani to Cassandra and Missy. Covering all of the series--classic and new--along with Class, K9, Torchwood, The Sarah Jane Adventures, novels, comics and Big Finish Audio adventures, this book examines the women archetypes in Doctor Who.
A Study Guide for Frank Loesser/Abe Burrows/Jo Swerling's "Guys and Dolls," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.
Lorna Jowett delves into the distinctive stories and characters, including the Doctors themselves, their female and male companions, Captain Jack Harkness, Missy, Sarah Jane and her young comrades. She considers the showrunners, directors, producers and writers and the problems this flagship science fiction series has had in offering alternative gender models. Constructions of masculinity, the author function, and how gender intersects with the other facets of identity, race, ethnicity and age, are just some of the areas explored in this accessible and wide-ranging re-view of these hotly debated elements of the successful BBC franchise.