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Deformations
Shortlisted for the Derek Walcott Poetry Prize 2021 Shortlisted for the T.S. Eliot Prize 2020 An Observer Book of the Year 2020 Deformations includes two large-scale works related in their preoccupation with biographical and mythical narrative. 'Welfare Handbook' explores the life and art of Eric Gill, the well-known English letter cutter, sculptor and cultural figure, who is known to have sexually abused his daughters. The poem draws on material from Gill's letters, diaries, notes and essays as part of a lyrical exploration of the conjunction between aesthetics, subjectivity and violence. 'Pitysad' is a series of simultaneously occurring fragments composed around themes and characters from Homer's Odyssey. It considers how trauma is disguised and deformed through myth and art. Acting as a bridge between these two works is a series of individual poems on the creation and destruction of cultural and mythical conventions.
Joy
Winner of the 2017 Poetry Book Society Winter Choice Award. Contains the poem 'Joy' - Winner of the 2016 Forward Prize for Best Single Poem. Sasha Dugdale's fourth Carcanet collection, Joy, features the poem of that title which received the 2016 Forward Prize for Best Single Poem. 'Joy' is a monologue in the voice of William Blake's wife Catherine, exploring the creative partnership between the artist and his wife, and the nature of female creativity. The Forward judges called it 'an extraordinarily sustained visionary piece of writing'. The poems in Joy mark a new departure for Dugdale, who expresses in poetry a hitherto 'silent' dialogue which she began as an editor of Modern Poetry in Translation with writers such as Don Mee Choi, Kim Hyesoon, Maria Stepanova and Svetlana Alexeivich. Dugdale combines an open interest in the historical fate of women and in the treacherous fictional shaping of history. In the abundant, complex and not always easy range of voices in Joy she attempts to redress the linear nature of remembrance and history and restore the 'maligned and misaligned'.
The Estate
This is Sasha Dugdale's second book of poems, in which she capitalizes on the promise of her debut collection.
Red House
In Red House, her third collection, Sasha Dugdale evokes the ghosts and presences that flit about on the margins of our lives. She finds them at the edge of towns where superstores and allotments blur an older landscape, in Europe where emigrants leave their gods, their neighbours, their memories 'jettisoned like old clothes'; and across the chalk Downs of her native Sussex. She traces the shapes that they leave through folk song, lament and lyric poetry. Haunted by history, confronted by primal brutalities, the poems in Red House proclaim the fierce, bright authenticity that is 'all the proof we need that we're alive'.
In Memory of Memory
An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.
The Voice Over
Maria Stepanova is one of the most powerful and distinctive voices of Russia’s first post-Soviet literary generation. An award-winning poet and prose writer, she has also founded a major platform for independent journalism. Her verse blends formal mastery with a keen ear for the evolution of spoken language. As Russia’s political climate has turned increasingly repressive, Stepanova has responded with engaged writing that grapples with the persistence of violence in her country’s past and present. Some of her most remarkable recent work as a poet and essayist considers the conflict in Ukraine and the debasement of language that has always accompanied war. The Voice Over brings together...
Moscow Tales
Fifteen tales from Russia's mysterious capital city provide an absorbing and many-sided portrait in fiction for readers who love travelling, armchair travellers, lovers of Russian literature, as well as those who love Moscow.
Plasticine
In a faceless city in Russia a young boy dies. Drunk women lie in the streets. The schoolboy Maksim makes his way through this urban hell. His only retreat is into a private world moulded by himself, out of which springs a final act of reckless courage.
Birdsong on the Seabed
Elena Shvarts is one of Russia's greatest living poets. 'Birdsong on the Seabed' presents a selection oh her most recent poetry. This new bilingual Russian-English selection also includes some poems not yet been published in Russia.
Negative Space
New collection by leading Albanian poet of work written since her first UK edition, Haywire: New & Selected Poems, was published by Bloodaxe in 2011. Ani Gjika's translation from the Albanian of Luljeta Lleshanaku's Negative Space was shortlisted for the International Griffin Poetry Prize 2019.
