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Tragedy: The Basics
Tragedy: The Basics is an accessible and up-to-date introduction to dramatic tragedy. A comprehensive guide for anyone undertaking a study of the genre, it provides a chronological overview and history of tragic theory. Covering tragedy from the classics to the present day, it explains the contextual and theoretical issues which affect the interpretation of tragedy, examining popularly studied key plays in order to show historical change. Including a glossary of key terms and suggestions for further reading, Tragedy: The Basics is an ideal starting point for anyone studying tragedy in literature or theatre studies.
Shakespeare
This volume aims to demystify Shakespeare's plays for the beginning reader. Concentrating on language, genre and history, it discusses the plays in the light of contemporary thought. It also covers verse, rhetoric, dramatic methods and imagery.
William Shakespeare's Hamlet
William Shakespeare's Hamlet (c.1600-1601) has achieved iconic status as one of the most exciting and enigmatic of plays. It has been in almost constant production in Britain and throughout the world since it was first performed, fascinating generations of audiences and critics alike. Taking the form of a sourcebook, this guide to Shakespeare's remarkable play offers: extensive introductory comment on the contexts, critical history and performance of the text, from publication to the present annotated extracts from key contextual documents, reviews, critical works and the text itself cross-references between documents and sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading.
Ben Jonson, Renaissance Dramatist
This new guide to the English renaissance's most erudite and yet most street-wise dramatist strongly asserts the theatrical brilliance of his greatest plays in performance, then and now.The book integrates all of Jonson's major plays into the milieu of the turbulent years which produced them, and analyses the way each work examines the issues and challenges of those years: money, power, sex, crime, identity, gender, the theatre itself. It offers a lucid guide to the competing critical views of a playwright who is far more than the obverse of his friend and rival William Shakespeare, and it explains in detail how the undoubted power and energy of these plays in modern performance should be the touchstone of their quality to both critic and reader. The plays discussed include the early Comedies, the Roman Tragedies (Sejanus and Catiline), Volpone, Epicoene, The Alchemist, Bartholomew Fair and The Devil is an Ass.
The Poet
FROM THE #1 BESTSELLING AUTHOR OF THE HARRY BOSCH AND LINCOLN LAWYER SERIES An electrifying standalone thriller that breaks all the rules! With an introduction by Stephen King. Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write--and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.
Staging Ben
Ben Jonson has frequently been maligned for his antitheatricalism and inability to conceive of his plays as anything other than a reading experience. Staging Ben: A Collection of Essays on the Theatricality of Jonson’s Plays offers a rebuttal of this mischaracterization of Jonson’s work. Featuring contributions from both Renaissance literature scholars and theatre practitioners, this volume of essays demonstrates the prodigious theatrical imagination of one of the world’s most underappreciated dramatists. It explores the problems associated with producing a Jonson play – from length to topicality to cast size – and offers solutions for those who have an interest in bringing Jonson’s plays to life. Specific plays explored in this collection are Sejanus, Volpone, The Alchemist, Catiline, and Bartholomew Fair.
Starting to Teach Latin
This handbook for teachers provides both practical, up-to-date guidance and a theoretical overview on a number of key topics in Latin teaching. Using a wealth of interviews, observations and pupil transcripts, Steven Hunt title utilizes case-study evidence of excellent practice in teaching and learning from a wide variety of institutions: from outreach programmes, community schools and academies in the UK, to New York Charter Schools, KIP schools and schools in Eastern Seaboard states in the USA. Offering practical advice on topics such as essay writing, teaching controversial topics including women, slavery, ethnicity and social hierarchy, making use of primary sources and using ICT to adva...
Shakespeare’s Audiences
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in the...
Volpone
A comprehensive introduction to Ben Jonson's Volpone - introducing its critical history, performance history, current critical landscape and new directions in research on the play.
