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Each composer addresses the following topics: Biographical information, The creative process ... how a composer works, Orchestration, Views from the composer to the conductor, Commissioning new works, The teaching of composition, Influential individuals, Ten works all band conductors at all levels should study, Ten composers whose music speaks in especially meaningful ways, The future of the wind band, Other facets of everyday life, Comprehensive list of works for band.
"Three visual metaphors introduce distinct vantage points for viewing music as a school subject: as a separate discipline with clearly defined boundaries that maintain its traditions and subject matter identity; as used instrumentally to address contemporary problems, softening its subject matter distinctions through melding and blending with other subjects; and as a permeable area of study that is both influenced by and in turn influences other areas of human experience. The metaphors suggest orientations to subject matter that are often mirrored in patterns of school organization or reform proposals. The chapter presents an argument for permeability that builds upon a strong subject matter orientation for music while enabling, even advocating, for its expansion into closely related realms of meaning. The chapter establishes the central premise for teachers drawn to an interdisciplinary perspective to music teaching and learning, taking shape and direction from this metaphor of permeability"--
In The Gardeners' Dirty Hands: Environmental Politics and Christian Ethics, Noah Toly engages Christian and classical Greek ideas of the tragic to illuminate the enduring challenges of environmental politics. He suggests that Christians have unique resources for responsible engagement with global environmental politics.
Pulitzer Prize–winning novelist Marilynne Robinson is one of the most eminent public intellectuals in America today, and her writing offers probing meditations on the Christian faith. Based on the 2018 Wheaton Theology Conference, this volume brings together the thoughts of leading theologians, historians, literary scholars, and church leaders who engaged in theological dialogue with Robinson's work—and with the author herself.
(Meredith Music Resource). A new and expanded version of the first two Winds of Change volumes containing much new information about wind band/ensemble literature, important conferences, concerts and events from the 19th century through 2015.
This work catalogs commercially produced recordings of Negro spirituals composed for solo concert vocalists. More than 5,000 tracks are listed, with entries sourced from a variety of recording formats. The featured recordings enhance the study of concert spiritual performance in studio, concert, worship service or competition settings. Arranged alphabetically, entries variously identify the accompaniment--including chorus, piano, orchestra, guitar, flute, and violin--in concert spiritual recordings. The voice types of soloists are included, as is the level of dialect used by various performers. The composers, publishers and format information are also listed when available. While structured like a discography, this guide extends beyond solely providing historical context and encourages the use of the recordings themselves.
The past three centuries have witnessed the accumulation of unprecedented levels of wealth and the production of unprecedented risks. These risks include the declining integrity and stability of many of the world's environments, which face dramatic and possibly irreversible change as the environmental burdens of late modern lifestyles increasingly shift to fragile ecosystems, vulnerable communities, and future generations. Globalization has increased the scope and scale of these risks, as well as the pace of their emergence. It has also made possible global environmental governance, attempts to manage risk by unprecedented numbers and types of authoritative agents, including state and non-st...
Karl Barth is one of the most influential theologians of the 20th century. His work is considered essential reading for nearly every student of theology. Reading Barth's theology poses a challenge, however, because of the sheer size of his corpus, the complexity of his claims, and the distance between his context and the context of his readers. In this accessible introduction, a respected scholar in Barthian studies offers a one-stop resource on Barth's thought, providing a selection of his most important writings, critical commentary, and detailed introductory and concluding chapters.
With their rich and complicated history, spirituals hold a special place in the American musical tradition. This soul-stirring musical form is irresistible to singers seeking to diversify their performance repertoire, but it is also riddled with controversy, especially for singers of non-African descent. Singer and historian Randye Jones welcomes singers of all backgrounds into the style while she explores its folk song roots and transformation into choral and solo vocal concert repertoire. Profiling key composers and pioneers of the genre, Jones also discusses the use of dialect and other controversial performance considerations. Contributed chapters address elements of collaborative piano, studio teaching, choral arrangement, voice science, and vocal health as they apply to the performance of spirituals. The So You Want to Sing series is produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Spirituals features online supplemental material on the NATS website.
Each composer addresses the following topics: biography, creative process, approach to orchestration, views from the composer to the conductor, the relationship between the composer and the commissioning party, views on the teaching of composition, influencial individuals, ten works all band conductors at all levels should study, ten composers whose music speaks in especially meaningful ways, the future of the wind band, other facets of everyday life, comprehensive list of works for band.