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My Porcelain Doll
My Porcelain Doll is Sherry Coombe's, poignant tribute to her late daughter and a moving memoir about walking side by side through Heather’s struggles and triumphs during cancer. Sherry traces the journey she and Heather shared through some of the toughest challenges and sweetest moments of fighting cancer. Genuine, intimate and unconditional love, My Porcelain Doll is a story of hope, joy and sadness that only a mother could write. "Then came a bunch of words like aggressive, really bad, tumor, spinal taps and on and on. Of course it still didn't sink in how bad he thought it was until he started talking about transplant team and City Of Hope. I knew then I was a really sick lil gal. I think that was the first time I was really, truly scared that it might be too late." -Heather Coombe
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Global Pharmaceuticals
DIVAnthropological study of the globalization of pharmaceuticals and its effects on local cultures, health, and economics./div
Refiguring the Archive
Refiguring the Archive at once expresses cutting-edge debates on `the archive' in South Africa and internationally, and pushes the boundaries of those debates. It brings together prominent thinkers from a range of disciplines, mainly South Africans but a number from other countries. Traditionally archives have been seen as preserving memory and as holding the past. The contributors to this book question this orthodoxy, unfolding the ways in which archives construct, sanctify, and bury pasts. In his contribution, Jacques Derrida (an instantly recognisable name in intellectual discourse worldwide) shows how remembering can never be separated from forgetting, and argues that the archive is about the future rather than the past. Collectively the contributors demonstrate the degree to which thinking about archives is embracing new realities and new possibilities. The book expresses a confidence in claiming for archival discourse previously unentered terrains. It serves as an early manual for a time that has already begun.
Thom's Almanac and Official Directory of the United Kingdom of Great Britain and Ireland for the Year
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