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I first met Robin Hood in the Autumn of 1975, as a seven-year-old boy, and we have been good mates ever since. Recently, he's been going crazy about the direction our world is heading. He can't believe there isn't a bigger reaction to all the madness. This show is his idea. He's convinced we need to change the story of money and share the opportunity some of us have been given if we really want to do something about inequality and the growing gap between rich and poor. In aid of Street Child United.
It's time you realised that your show is a thing of the past. It's dead. A fragment of history. This is the future and I need you to come on board. Their choice? To die onstage - or off it. Beautiful and bonkers - it's the clown show about totalitarianism you never knew you needed. Rhum + Clay's Project Dictator was informed and inspired by conversations with international artists living under authoritarian regimes. It returned for a UK tour after critically-acclaimed runs at New Diorama Theatre in April 2022, and at Edinburgh Fringe Festival in August 2022. Originally commissioned by New Diorama Theatre for its 10th Anniversary Season, Project Dictator was also supported using public funding from Arts Council England. This edition was published to coincide with the UK tour starting in September 2023.
As I walk past the funeral parlour, I see a poster next to their two-for-one offer. It's a wanted poster with my name on it. A completely made-up true story. When the world goes mad, do we inevitably go mad too? When Shôn playfully cracks an egg on his mother's head, he has no idea real-life internet trolls will appear on his doorstep. Cracking takes on the battle between love and hate, asking what's funny and where we draw the line. Part stand-up, part theatre, Cracking is a funny, touching and thought-provoking solo performance that sews together fact and fiction into one seamless whole making us wonder what's real, what's not and what's gone wrong. This story about love and hatred celebrates how searching for connection beats disconnecting. This edition was published to coincide with the UK tour starting in February 2024.
Improvisation is a tool for many things: performance training, rehearsal practice, playwriting, therapeutic interaction and somatic discovery. This book opens up the significance of improvisation across cultures, histories and ways of performing our life, offering key insights into the what, the how and the why of performance. It traces the origins of improvisation and its influences, both as a social and political phenomenon and its position in performance training. Including history, theory and practice, this new edition encompasses Theatre and performance studies as well as drama, acknowledging the rapid reconfiguration of these fields in recent years. Its coverage also now extends to improvisation in the USA, cinema, LARPing, street events and the improvising audience, while also looking at improv's relationship to stand-up comedy, jazz, poetry and free movement practices. With an index of exercises and an extensive bibliography, this book is indispensable to students of improvisation.
SHORTLISTED FOR THE POLARI FIRST BOOK PRIZE Next Lesson is a new play by Chris Woodley, about the challenges of growing up gay. In 1988, 14-year-old Michael comes out as gay. Later he returns to the same school as a teacher. In the background: the notorious Section 28 of Thatcher’s Local Government Act, which prohibited schools from “promoting homosexuality” and divided teachers and parents. The narrative of the play spans from 1988 to 2003. Ideal for drama students, colleges, amateur theatre groups, local theatres. Publishing to coincide with LGBTQ History Month, February 2019. Reviews 'How has being queer in the classroom changed over the past thirty years? This informative play is y...
'Written with such understanding and power it takes your breath away' - JEREMY VINE DISCOVER THE TRANSFORMATIVE POWER OF SENSITIVITY Have you even been told you are being 'too sensitive'? That you should develop a thicker skin? Society tells us that it's bad to be too soft, or feel too much. But is it? Hannah Jane Walker, a highly sensitive person, has spent years researching sensitivity. Drawing on a wide range of experts, ideas and experiences, Hannah challenges the myth that sensitivity is something negative, and seeks an answer to the question: how useful is sensitivity to the world, and what is it for? Hannah discovers that high sensitivity is sometimes connected to higher levels of empathy, emotional intelligence and creativity, and that whatever our level of sensitivity, it can be beneficial for us all. Society has undervalued sensitivity, teaching us that only the tough succeed, but this book seeks to change that story. Sensitivity is not a weakness or something to be ashamed of, but an invaluable form of strength, offering so many new ways of looking at the world.
In 1974 my father invested £750 (£8,100 in today’s money) in a Royal Worcester porcelain figure of The Duke of Wellington on horseback. He kept the figure we affectionately called The Duke, wrapped in sponge, in a big box, under his bed. After he died in 2001, my mother decided to take the figure out and display it on the table in the bay window. In the autumn of 2015 my mother calls. She tells me she’s broken The Duke.
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
Theatre-Making explores modes of authorship in contemporary theatre seeking to transcend the heritage of binaries from the Twentieth century such as text-based vs. devised theatre, East vs. West, theatre vs. performance - with reference to genealogies though which these categories have been constructed in the English-speaking world.