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This international and multidisciplinary volume focuses on the male body and constructions of gender in a variety of cultural productions and formats. Locating the subject matter in relevant theoretical fields, it looks at representations of male bodies in various contexts through paranoid and reparative lenses. Organized into four major sections, the contributions assembled in this book feature engaging readings of ‘non/conforming bodies’, ‘fashionable bodies’, ‘passing bodies’, and ‘pioneering bodies’ that to different degrees foreground their critical and creative potentials. In its full scope, the book acknowledges the plurality of gendered experiences and the diversity of male bodies. The Male Body in Representation: Returning to Matter adds to Cultural Studies scholarship interested in the body and gender in general and contributes to the fields of Masculinity and Body Studies in particular.
A wide range of transatlantic contributors addresses Berlin as a global focal point of the Cold War, and also assess the geopolitical peculiarity of the city and how citizens dealt with it in everyday life. They explore not just the implications of division, but also the continuing entanglements and mutual perceptions which resulted from Berlin's unique status. An essential contribution to the study of Berlin in the 20th century, and the effects - global and local - of the Cold War on a city.
The book considers how identities have become more fractured since COVID-19, by thinking of COVID-19 in relation to other crises (economic, social, digital, and ecological) and by drawing parallels to literature, cinema, and visual art. COVID-19 was a type of apocalypse, a catastrophic destructive event that produced dystopian measures in its wake and drew uncanny parallels to dystopic works of literature and speculative fiction. Yet the pandemic was apocalyptic in another sense too. The word apocalypse derives from apokalupsis, which means disclosure or uncovering. In this way, COVID-19 also revealed the dystopian processes already at work in the world, including digital forms of surveillan...
Aging Studies and Ecocriticism: Interdisciplinary Encounters argues that both aging studies and ecocriticism address the complex dynamics of individual and collective agency, oppression and dependency, care and conviviality, vulnerability and resistance as well as intergenerationality and responsibility. Yet, even though both fields employ overlapping methodologies and theoretical frameworks and scrutinize “boundary texts” in different literary genres, which have been analyzed from ecocritical perspectives as well as from the vantage point of critical aging studies, there has been little scholarly interaction between ecocritical literary studies and aging studies to date. The contributors in this volume demonstrate the potential of specific genres to narrate relationality and age, and the aesthetic and ethical challenges of imagining changes, endings, and survival in the Anthropocene. As the first step towards putting both fields in conversation, this collection offers new pathways into understanding human and nonhuman ecological relations.
This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonâmbula, and Tokyo Story.
Depuis Pierre Bourdieu, nous savons que le corps forme un capital culturel et social incorporé. Il est marchandise et moyen de production, signe d’appartenance à une classe sociale, un lieu où se négocient les relations de sexe, de genre et de pouvoir ou un prétexte à des exclusions sociales et au racisme. Le corps est objet de châtiments, de sanctions et de contrôle social, support d’affects, d’obsessions et de maladies ainsi que lieu de rébellion et de résistance. Les romans du XIXe siècle analysés dans les contributions de ce volume racontent tout cela. Dans la perspective des body studies actuels, nous proposons une nouvelle lecture des grands récits de Balzac à Zola, en passant par Mirbeau, Maupassant, Louise Michel, Georges Sand, Rachilde, Eugène Sue et Huysmans pour démontrer, à travers leurs textes, comment les images du corps et les politiques du capital s’inscrivent dans l’imaginaire et la mémoire de la société française du XIXe siècle.
Political institutions and practices such as the state, parliament, citizenship and nationality, the vote, the military, and the making and implementation of laws have traditionally been treated as if they were un-gendered and guided exclusively by objective reasoning and rationality. Rationality and reason, though, have been habitually ascribed to masculinity, a fact which has often been ignored in favour of the apparent gender-inclusiveness of the realm of politics. In contrast to this view, this book explores the interdependence of the construction of masculinities, on the one hand, and the emerging, maintenance, and modification of concepts such as the state, citizenship, nationality and...
A compelling and intricate novel of emigration and the effects of colonialism on a people
In recent years, menswear has moved decisively center stage. Menswear Revolution investigates the transformation of men's fashion through the lens of shifting masculinities, examining how its increasing diversity has created new ways for men to explore and express their identities. Harnessing sustained market growth and creative dynamism on the runway, ground-breaking designers from Raf Simons and Hedi Slimane to Craig Green have revolutionized the discipline with their bold re-imaginings of the male wardrobe. Analysing the role of the media in shaping attitudes to men's fashion, Menswear Revolution studies how competing narratives of masculinity are reflected in popular discourse. Taking us...