You may have to register before you can download all our books and magazines, click the sign up button below to create a free account.
At the end of the fourteenth and into the first half of the fifteenth century Geoffrey Chaucer, John Gower, and John Lydgate translated and revised stories with long pedigrees in Latin, Italian, and French. Royals and gentry alike commissioned lavish manuscript copies of these works, copies whose images were integral to the rising prestige of English as a literary language. Yet despite the significance of these images, manuscript illuminators are seldom discussed in the major narratives of the development of English literary culture. The newly enlarged scale of English manuscript production generated a problem: namely, a need for new images. Not only did these images need to accompany narrat...
Scholars and Poets Talk About Queens is a lively and erudite collection, unusual in an especially appealing way. This collection of essays shows how queens were represented in the Middle Ages and Renaissance through primary accounts, chronicles, and literary representations. The book also contains modern poetry and short plays about these same queens, allowing readers to understand and appreciate them both intellectually and emotionally. Contributors study a wide range of queens including such famous and fascinating women as Queen Elizabeth I, Cleopatra, Hecuba, the Empress Matilda, Mary Stuart, Margaret of Anjou, Catherine of Aragon, and the pirate queen Grace O'Malley. By pairing scholarly essays with contemporary poems about them, the collection demonstrates the continued relevance and immediacy of these powerful and fascinating women.
The late fourteenth century was the age of the Black Death, the Peasants' Revolt, the Hundred Years War, the deposition of Richard II, the papal schism and the emergence of the heretical doctrines of John Wyclif and the Lollards. These social, political and religious crises and conflicts were addressed not only by preachers and by those involved in public affairs but also by poets, including Chaucer and Langland. Above all, though, it is in the verse of John Gower that we find the most direct engagement with contemporary events. Yet, surprisingly, few historians have examined Gower's responses to these events or have studied the broader moral and philosophical outlook which he used to make s...
Public Feminism in Times of Crisis examines the public practice of feminism in the age of social media. While their concept of public feminism emerges from a moment of acute crisis (the Trump years and the Covid-19 pandemic), Leila Easa and Jennifer Stager locate its foundations in history, journeying through broad swatches of time looking for connections between the centuries through art and literature and culture. Each chapter focuses on what public feminists do in the world: Public feminists gain control over an archive that otherwise contains or excludes them; they recover their own stories and subjective experiences, sometimes for activist use; they examine images and language that cons...
No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author. By ascribing to these texts intentional anonymity, we romanticise them and misjudge the social character of their authors. Instead, most medieval poems and manuscripts presuppose familiarity with their authorial or scribal maker. Last Words: The Public Self and the Social Author in Late Medieval England attempts to recover this familiarity and understand the literary motivation behind some of most important fifteenth-century texts and authors. Last Words captures the public selves of such social authors when they attempt to extract themselves from the context o...
One of the most popular mirrors for princes, Christine de Pizan's Epistre Othea (Letter of Othea) circulated widely in England. Speaking through Othea, the goddess of wisdom and prudence, in the guise of instructing Hector of Troy, Christine advises rulers, defends women against misogyny, and articulates complex philosophical and theological ideals. This volume brings together for the first time the two late medieval English translations, Stephen Scrope's precise translation The Epistle of Othea and the anonymous Litel Bibell of Knyghthod, once criticized as a flawed translation. With substantial introductions and comprehensive explanatory notes that attend to literary and manuscript traditions, this volume contributes to the reassessment of how each English translator grappled with adapting a French woman's text to English social, political, and literary contexts. These new editions encourage a fresh look at how Christine's ideas fit into and influenced the English literary tradition.
A lively microbiography of Chaucer that tells the story of the tumultuous year that led to the creation of The Canterbury Tales In 1386, Geoffrey Chaucer endured his worst year, but began his best poem. The father of English literature did not enjoy in his lifetime the literary celebrity that he has today—far from it. The middle-aged Chaucer was living in London, working as a midlevel bureaucrat and sometime poet, until a personal and professional crisis set him down the road leading to The Canterbury Tales. In the politically and economically fraught London of the late fourteenth century, Chaucer was swept up against his will in a series of disastrous events that would ultimately leave him jobless, homeless, separated from his wife, exiled from his city, and isolated in the countryside of Kent—with no more audience to hear the poetry he labored over. At the loneliest time of his life, Chaucer made the revolutionary decision to keep writing, and to write for a national audience, for posterity, and for fame. Brought expertly to life by Paul Strohm, this is the eye-opening story of the birth one of the most celebrated literary creations of the English language.
This volume, the first collection of essays devoted to Hoccleve since 1996, both confirms his importance in shaping the English poetic tradition after Chaucer's death and demonstrates the depth of ongoing critical interest in Hoccleve's work in its own right.
Studying texts by Lorenzo Valla, Erasmus, Saint Jerome, George Gascoigne, and Fulke Greville, this volume explores authorial character as an instrument of textual analysis in the scholarship of early Renaissance literature.
Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of ...