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Exploring Religion in Ancient Egypt offers a stimulating overview of the study of ancient Egyptian religion by examining research drawn from beyond the customary boundaries of Egyptology and shedding new light on entrenched assumptions. Discusses the evolution of religion in ancient Egypt – a belief system that endured for 3,000 years Dispels several modern preconceptions about ancient Egyptian religious practices Reveals how people in ancient Egypt struggled to secure well-being in the present life and the afterlife
Mysterious Lands covers two kinds of encounters. First, encounters which actually occurred between Egypt and specific foreign lands, and second, those the Egyptians created by inventing imaginary lands. Some of the actual foreign lands are mysterious, in that we know of them only through Egyptian sources, both written and pictorial, and the actual locations of such lands remain unknown. These encounters led to reciprocal influences of varying intensity. The Egyptians also created imaginary lands (pseudo-geographic entities with distinctive inhabitants and cultures) in order to meet religious, intellectual and emotional needs. Scholars disagree, sometimes vehemently, about the locations and cultures of some important but geographically disputed actual lands. As for imaginary lands, they continually need to be re-explored as our understanding of Egyptian religion and literature deepens. Mysterious Lands provides a clear account of this subject and will be a stimulating read for scholars, students or the interested public.
EGYPTIAN ARCHAEOLOGY. This is an accessible and informative guide to the major pharaohs of Ancient Egypt, their names and their cartouches. It is a concise guide arranged chronologically. It is illustrated with colour photographs for the first time. It is a perfect reference for beginners and scholars alike. The first four chapters of this book are divided by period, covering 3000 years of history from the dawn of Egyptian writing to the use of royal names under the Roman emperors in Egypt. With the help of ancient hieroglyphic texts and modern research, they give an indepth but accessible history of Ancient Egyptian royalty and society. The final chapter provides an extensive list of royal names and displays the principal cartouches for all the major kings of Ancient Egypt as well as some lesser-known but equally intriguing pharaohs. It also details the key events and characteristics of each reign.
Did the ancient Egyptians believe in many gods, or was it one god in many guises? The answer lies in the special relationship between the sun god Ra and the king, in his central title "Son of Ra". Stephen Quirke draws together recent advances in our understanding of the cult of Ra, from the third millennium B.C. to the Roman conquest of Egypt and the rise of Christianity. He explores the Egyptian sources for the character of Ra, his pivotal role in creation, and the way in which the Egyptians expressed the world as physical matter unfurling from the sun. Through select inscriptions and manuscripts the reader enters the closed world of the king as he carried out his principal function, to mai...
First full illustrated translation with Egyptian transliteration, aiming to present with their individual histories all the compositions on prt m hrw "Book of the Dead" papyri from the New Kingdom to Ptolemaic Period. The volume gives at least one version of every written composition, together with one or more images for the essential pictorial component of all writings for which illustrations are known. Writings at the margins or outside the prt m hrw corpus, including all ascribed "Book of the Dead" numbers in Egyptological publications, are included in the final section. The translations are supported by a thematic and historical introduction and closing glossary.
This tightly focused collection of essays by a distinguished group of scholars analyses the degree to which expressions of emotion in ancient literature and art become an 'artistic' rather than a 'social' construct. To what degree do literary genres, philosophy and visual arts produce expectations for the arousal of certain emotions? Are the emotions of women, for example, represented differently in different genres? How and why do literary genres and visual arts concentrate on specific emotions and stylise them accordingly, and how do particular emotions relate to gender within literary texts? The book will be of interest to all students and scholars of classical literature and gender studies.
The haunting funerary paintings on wood coffins found in Roman Egypt still represent some of the most vivid images that come to us from the ancient world. These paintings were first discovered by Flinders Petrie, father of modern archaeology, in his excavations in the Egyptian Fayum during the 1880s and have rested at University College London for over 100 years. Now, the Petrie Museum is bringing this corpus of paintings to the public in a stunning catalog. Living Images is a beautiful and authoritative presentation of the restored collection that will be an essential reference for scholars and a fascinating read for general audiences. Central to the volume is a complete catalog of the mumm...
This is a story studded with extraordinary achievements and historic moments, from the building of the pyramids and the conquest of Nubia, through Akhenaten's religious revolution, the power and beauty of Nefertiti, the glory of Tutankhamun's burial chamber, and the ruthlessness of Ramesses, to Alexander the Great's invasion, and Cleopatra's fatal entanglement with Rome. As the world's first nation-state, the history of Ancient Egypt is above all the story of the attempt to unite a disparate realm and defend it against hostile forces from within and without. Combining grand narrative sweep with detailed knowledge of hieroglyphs and the iconography of power, Toby Wilkinson reveals Ancient Egypt in all its complexity.
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.