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Reading Dancing
Winner of the Dance Perspectives Foundation de la Torre Bueno Prize Recent approaches to dance composition, seen in the works of Merce Cunningham and the Judson Church performances of the early 1960s, suggest the possibility for a new theory of choreographic meaning. Borrowing from contemporary semiotics and post-structuralist criticism, Reading Dancing outlines four distinct models for representation in dance which are illustrated, first, through an analysis of the works of contemporary choreographers Deborah Hay, George Balanchine, Martha Graham, and Merce Cunningham, and then through reference to historical examples beginning with court ballets of the Renaissance. The comparison of these four approaches to representation affirms the unparalleled diversity of choreographic methods in American dance, and also suggests a critical perspective from which to reflect on dance making and viewing.
Watching the Weeds Grow
Set in the Vietnam era the story follows Jordan Gentry a disabled Vietnam vet trying to get his life back together and Susan Kendal Kincaid, a victim of assault and abuse and the era's drug influence. Both Jordan and Susan find their way while "watching the weeds grow."
Choreographing Empathy
"This is an urgently needed book – as the question of choreographing behavior enters into realms outside of the aesthetic domains of theatrical dance, Susan Foster writes a thoroughly compelling argument." – André Lepecki, New York University "May well prove to be one of Susan Foster’s most important works." – Ramsay Burt, De Montford University, UK What do we feel when we watch dancing? Do we "dance along" inwardly? Do we sense what the dancer’s body is feeling? Do we imagine what it might feel like to perform those same moves? If we do, how do these responses influence how we experience dancing and how we derive significance from it? Choreographing Empathy challenges the idea of...
Charming Impossibles
How do you escape the abusers in your life? Why is leaving them behind while moving forward so difficult? One woman shares her experiences, as well as powerful and moving stories of others, unraveling the mysterious web of confusion surrounding abuse, and overcoming difficult relationships. Have you ever faced a relationship you felt you couldn't get out of? Have you ever gotten out of a relationship wondering, what just happened? In this revealing book, Susan Foster shares lessons learned from surviving years of emotional abuse and isolation. Her story helps women and men understand the dark roots of how relationships turn toxic and the stages they go through. How do you escape the abusers in your life? Some don't even recognize it when the ones they care about are toxic or abusive and the cycle continues. Author Susan Foster shares her empowering story in hopes that others will see the charming impossibles in their own lives - and do something about it.
Choreographing History
"... I have used essays from the book to help dance graduate students push their thinking beyond the studio and their own physical experience and to realize the varied resources, approaches, and theoretical positions possible in writing about the body." -- Dance Research Journal "Choreographing History... assembles an impressive diversity of sites, disciplines and critical approaches... [and] includes not only historical bodies and discourses, but also the very bodies of the historians themselves." -- Parachute "This volume is not only full of gems (the very lineup of preeminent scholars is impressive), but is also a neat cross-section of the academic conventions and mannerisms of our time." -- Dance Chronicle "... [an] important step... in the ineluctable dance by postmodern historians across a bridge that spans the gaps among disciplines, between theory and practice, and betweeen present and past." -- Theatre Journal Historians of science, sexuality, the arts, and history itself focus on the body, merging the project of writing about the body with theoretical concerns in the writing of history.
Corporealities
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Worlding Dance
What world has been constructed for dancing through the use of the term 'world dance'? What kinds of worlds do we as scholars create for a given dance when we undertake to describe and analyze it? This book endeavours to make new epistemological space for the analysis of the world's dance by offering a variety of new analytic approaches.
An Introduction to Child Language Development
This volume introduces the field of child language development studies, and presents hypotheses in an accessible, largely non-technical language, aiming to demonstrate the relationship between these hypotheses and interpretations of data. It makes the assumption that having a theory of language development is as important as having reliable data about what children say and understand, and it advocates a combination of both `rationalist' and more 'empiricist' traditions. In fact, the author overtly argues that different traditions provide different pieces of the picture, and that taking any single approach is unlikely to lead to productive understanding. Susan Foster-Cohen explores a range of...
